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Derek Desmond

Editor and producer

Primetime Emmy nominee

Works as
Editor and producer
Titles
5 on MovieCove · 6 credits in all
TMDB popularity, last 156 days to Oct 27Up 16% in 30 days

What are Derek Desmond's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 3

Grounded 3 · Stylized 1 · Heightened 0

Gentle 0 · Charged 1 · Intense 3

A split, not a type: Steady 2 · Shifting 1 · Whiplash 1

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 2 · Full focus 1

Easy watch 0 · Affecting 1 · Heavy 3

A split, not a type: Resolved 1 · Open-ended 1 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Dread
3
Melancholic
2
Cold
1
Contemplative
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Derek Desmond's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Derek Desmond's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 5 with a MovieCove page.

  • Redux Redux(2025)

    Editor

    Midcredits score: 54th percentile of all films
  • Death by Lightning(2025)

    Show 4 episodes · Additional Editor

    Midcredits score: 84th percentile of all shows
  • Lost on a Mountain in Maine(2024)

    Executive Producer

    Midcredits score: 48th percentile of all films
  • Midcredits score: 19th percentile of all films
  • 13 Cameras(2015)

    Editor · Visual Effects

    Midcredits score: 12th percentile of all films
  • Finding Donn Fendler: Lost on a Mountain in Maine 72 Years Later (not in the MovieCove catalog yet)(2011)

    Director · Editor · Producer

Career shape

A full career of 6 titles from 2011 to 2025.

By role

only this rolewith another role
Directing1 of 6: 0 only directing, 1 with another roleProducing2 of 6: 1 only producing, 1 with another roleEditing5 of 6: 3 only editing, 2 with another roleOther crew1 of 6: 0 only other crew, 1 with another role

By decade

2010s2 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

Awards

Nominated for a Primetime Emmy in 2026, Outstanding Picture Editing for a Limited or Anthology Series or Movie.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Derek Desmond's films land?

Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 4

Approval · how many liked their films

31stpercentile
Typical film, the median of 4

Reach · how many have seen their films

85thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

None of their 5 titles divides audiences: 2 are Broadly Agreed.

  • Crowd Pleaser1
  • Broadly Agreed2
  • Mixed2

Reviewers score the pacing 47/100 in their films, across 4 reviewed titles; fans 61, detractors 21. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Derek Desmond's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 42 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 19 · mildMedian of all films: 32
Profanity3 titlesmedian 50 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 17 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 51 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Derek Desmond work with?

People who share at least 2 of Derek Desmond's MovieCove titles, grouped by what they did on them; Kevin McManus shares the most, 3.

Directors

Actors

Composers

Producers

Mixed roles