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Edward Antonio

Edward Antonio

Composer and producer

Works as
Composer and producer
Titles
8 on MovieCove
TMDB popularity, last 39 days to Oct 28Up 16% in 30 days

What are Edward Antonio's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
40%
Bonds
22%
Self
21%
Morality
11%
Power
4%
Society
3%

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 4 · Dark 4

Grounded 7 · Stylized 1 · Heightened 0

A split, not a type: Gentle 1 · Charged 2 · Intense 5

Steady 3 · Shifting 5 · Whiplash 0

Straight-faced 8 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 4 · Relentless 0

Casual 3 · Engaged 5 · Full focus 0

A split, not a type: Resolved 4 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
5
Dread
2
Thrilling
2
Contemplative
1
Other
2

How their films end · 1 with a twist

  • Happy1
  • Bittersweet2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edward Antonio's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Edward Antonio's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • The Town That Takes(2026)

    Composer

    Midcredits score: 46th percentile of all films (provisional, few ratings)
  • Insane Like Me?(2024)

    Composer

    Midcredits score: 7th percentile of all films (provisional, few ratings)
  • Forever and a Day(2022)

    Co-Producer · Composer

    Midcredits score: 29th percentile of all films (provisional, few ratings)
  • Cerebrum(2021)

    Composer · Producer

    Midcredits score: 12th percentile of all films
  • Attack of the Unknown(2020)

    Producer

    Midcredits score: 44th percentile of all films
  • Code of Thieves(2020)

    Composer

    Midcredits score: 7th percentile of all films
  • Disruption(2019)

    Composer

    Midcredits score: 1st percentile of all films
  • Midcredits score: 1st percentile of all films (provisional, few ratings)

Career shape

A full career of 2 titles from 2021 to 2022.

By role

only this rolewith another role
Producing1 of 2: 0 only producing, 1 with another roleMusic2 of 2: 1 only music, 1 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Edward Antonio's films land?

Their typical MovieCove film has a Midcredits score in the 10th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 6th percentile for acclaim.

Acclaim · how much people like their films

6thpercentile
Typical film, the median of 8

Approval · how many liked their films

14thpercentile
Typical film, the median of 8

Reach · how many have seen their films

20thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 25th to 49th3
  • Below 25th5

Reviewers score the sound and music 21/100 in their films, across 4 reviewed titles; fans 68, detractors 8. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edward Antonio work with?

People who share at least 2 of Edward Antonio's MovieCove titles, grouped by what they did on them; Jon Blaze shares the most, 3.

Writers

Actors

Editors

Mixed roles