Lana Wolverton
- Editor
- 14 on MovieCove · 18 credits in all
What are Lana Wolverton's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 1 · Serious 2 · Dark 4
Grounded 5 · Stylized 1 · Heightened 1
Gentle 0 · Charged 1 · Intense 6
Steady 0 · Shifting 3 · Whiplash 4
Straight-faced 5 · Some laughs 1 · Funny 1
Slow burn 0 · Even-paced 6 · Relentless 1
Casual 1 · Engaged 4 · Full focus 2
A split, not a type: Easy watch 2 · Affecting 2 · Heavy 3
A split, not a type: Resolved 2 · Open-ended 2 · Ambiguous 3
Moods and endings
- Bittersweet2
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lana Wolverton's films?
As of October 24, 2026, 13 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Lana Wolverton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 14 with a MovieCove page.

The Last Fifteen Minutes (not in the MovieCove catalog yet)(2026)
Midcredits score: 70th percentile of all films
The Music Store (not in the MovieCove catalog yet)(2025)

Heart Eyes(2025)
Midcredits score: 40th percentile of all films
Things Will Be Different(2024)
Midcredits score: 24th percentile of all films
Midcredits score: 50th percentile of all shows
The Apology(2022)
Midcredits score: 19th percentile of all films
Eternals(2021)
Midcredits score: 50th percentile of all films
Leverage: Redemption(2021)
Midcredits score: 85th percentile of all shows
Archenemy(2020)
Midcredits score: 16th percentile of all films
The Wave(2019)
Midcredits score: 49th percentile of all films
Bad Samaritan(2018)
Midcredits score: 58th percentile of all films
Fender Bender(2016)
Midcredits score: 14th percentile of all films
The Blackout(2014)
Midcredits score: 19th percentile of all films
Don't Blink(2014)
Midcredits score: 12th percentile of all films
White Frog(2012)
Midcredits score: 71st percentile of all films
A Standard Story (not in the MovieCove catalog yet)(2011)
The Dosage Makes the Poison (not in the MovieCove catalog yet)
Career shape
A full career of 16 titles, 15 of them dated from 2011 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Lana Wolverton's films land?
Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 12; across their 7 films with reception data, the typical film sits in the 24th percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th2
- Below 25th6
Shape of the crowd
None of their 14 titles divides audiences: 7 are Mixed.
- Universally Loved2
- Crowd Pleaser2
- Broadly Agreed3
- Mixed7
Reviewers score the pacing 47/100 in their films, across 7 reviewed titles; fans 59, detractors 27. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lana Wolverton work with?
People who share at least 2 of Lana Wolverton's MovieCove titles, grouped by what they did on them; Carl W. Lucas shares the most, 4.
Directors
- Gille KlabinShared titles: Weekend at the End of the World (2025), The Wave (2019)See all 2 shared titles with Gille Klabin

Actors
- Bill SageShared titles: The Wave (2019), Fender Bender (2016), The Blackout (2014)See all 3 shared titles with Bill Sage

Composers, cinematographers and editors
- Aaron GrassoShared titles: Weekend at the End of the World (2025), The Wave (2019)See all 2 shared titles with Aaron Grasso

- Eldad GuettaShared titles: Weekend at the End of the World (2025), The Wave (2019)See all 2 shared titles with Eldad Guetta

- Chris PattersonShared titles: A Murder at the End of the World (2023), Archenemy (2020)See all 2 shared titles with Chris Patterson
Producers
- Carl W. LucasShared titles: The Wave (2019), Fender Bender (2016), Don't Blink (2014), The Blackout (2014)See all 4 shared titles with Carl W. Lucas

- Joshua BuntingShared titles: The Wave (2019), Fender Bender (2016), The Blackout (2014)See all 3 shared titles with Joshua Bunting
- Kim ShermanShared titles: The Apology (2022), Archenemy (2020)See all 2 shared titles with Kim Sherman

- Lisa WhalenShared titles: The Apology (2022), Archenemy (2020)See all 2 shared titles with Lisa Whalen


