- Editor, producer and writer
- 4 on MovieCove
What are Tina Grapenthin's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 0 · Dark 4
Grounded 4 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 0 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 2 · Full focus 2
Easy watch 0 · Affecting 0 · Heavy 4
A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tina Grapenthin's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Tina Grapenthin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 38th percentile of all films (provisional, few ratings)
1275 Days(2019)
Midcredits score: 25th percentile of all films
The Family I Had(2017)
Midcredits score: 60th percentile of all films
When God Sleeps(2017)
Midcredits score: 85th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2017 to 2025.
How do Tina Grapenthin's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
2 of their 4 titles are Mixed.
- Divisive1
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tina Grapenthin work with?
People who share at least 2 of Tina Grapenthin's MovieCove titles, grouped by what they did on them; Carlye Rubin shares the most, 2.
Directors
- Carlye RubinShared titles: 1275 Days (2019), The Family I Had (2017)See all 2 shared titles with Carlye Rubin
- Katie GreenShared titles: 1275 Days (2019), The Family I Had (2017)See all 2 shared titles with Katie Green
Producers
- Patty CasbyShared titles: 1275 Days (2019), The Family I Had (2017)See all 2 shared titles with Patty Casby
- Christopher ClementsShared titles: The Family I Had (2017), When God Sleeps (2017)See all 2 shared titles with Christopher Clements
- Julie GoldmanShared titles: The Family I Had (2017), When God Sleeps (2017)See all 2 shared titles with Julie Goldman
