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MovieCove

Daniel Camenisch

Director and producer, also writer

Works as
Director and producer, also writer
Titles
3 on MovieCove · 5 credits in all
TMDB popularity, last 39 days to Oct 28Down 37% in 30 days

What are Daniel Camenisch's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Self.

Themes

share of theme weight
Society
70%
Self
18%
Ideas
12%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 3 · Stylized 0 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Hopeful
2
Warm
1
Bittersweet
1
Elegiac
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Daniel Camenisch's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Daniel Camenisch's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 3 with a MovieCove page.

  • Billy Graham: An Extraordinary Journey(2018)

    Director · Producer · Writer

    Midcredits score: 86th percentile of all films
  • Midcredits score: 1st percentile of all films (provisional, few ratings)
  • Second Chance (not in the MovieCove catalog yet)(2015)

    Producer

  • Heaven(2014)

    Producer

    Midcredits score: 76th percentile of all films (provisional, few ratings)
  • My Hope America with Billy Graham (not in the MovieCove catalog yet)(2013)

    Director

Career shape

A full career of 3 titles from 2013 to 2018.

By role

only this rolewith another role
Directing2 of 3: 2 only directing, 0 with another roleProducing1 of 3: 1 only producing, 0 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Daniel Camenisch's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 3

Approval · how many liked their films

58thpercentile
Typical film, the median of 3

Reach · how many have seen their films

1stpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Daniel Camenisch work with?

People who share at least 2 of Daniel Camenisch's MovieCove titles, grouped by what they did on them; Franklin Graham shares the most, 3.

Actors

Cinematographers and editors

Producers