Andrew Napier

What are Andrew Napier's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew Napier's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

• Tubi4 titles, browse their movies on this service
  • The Past Is a Grotesque Animal (2014) · writer, producer, editor · free
  • The Vanishing of Sidney Hall (2017) · producer, editor · free
  • Not Not Jazz (2024) · producer, editor · free
  • Lust for Love (2014) · producer, editor · free
• Curiosity Stream2 titles
  • Active Measures (2018) · producer, editor
  • Bounce: How the Ball Taught the World to Play (2015) · producer, editor
• Fandor2 titles, browse their movies on this service
  • The Past Is a Grotesque Animal (2014) · writer, producer, editor
  • Not Not Jazz (2024) · producer, editor
• Prime Video2 titles, browse their movies on this service
  • Not Not Jazz (2024) · producer, editor
  • Lust for Love (2014) · producer, editor
• AMC+1 title, browse their movies on this service
  • Before I Disappear (2014) · editor
• Pluto TV1 title, browse their movies on this service
  • The Vanishing of Sidney Hall (2017) · producer, editor · free
• The Roku Channel1 title, browse their movies on this service
  • The Vanishing of Sidney Hall (2017) · producer, editor · free

Subscription and free streaming for Andrew Napier's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

• 

  Not Not Jazz(2024)

  Editor · Producer

  Midcredits score: 49th percentile of all films (provisional, few ratings)~49^th
• 

  Active Measures(2018)

  Editor · Producer

  Midcredits score: 96th percentile of all films96^th
• 

  The Vanishing of Sidney Hall(2017)

  Editor · Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Bounce: How the Ball Taught the World to Play(2015)

  Editor · Producer

  Midcredits score: 96th percentile of all films (provisional, few ratings)~96^th
• 

  Before I Disappear(2014)

  Editor

  Midcredits score: 85th percentile of all films85^th
• 

  Lust for Love(2014)

  Editor · Producer

  Midcredits score: 36th percentile of all films36^th
• 

  Mad As Hell(2014)

  Director · Cinematographer · Editor · Producer · Writer

  Midcredits score: 61st percentile of all films61^st
• 

  The Past Is a Grotesque Animal(2014)

  Editor · Producer · Writer

  Midcredits score: 75th percentile of all films75^th

Career shape

Across their 8 MovieCove titles from 2014 to 2024.

Biggest box office

The Past Is a Grotesque Animal (2014)

$20K worldwide

Highest rated

Active Measures (2018)

Midcredits 96^th

Most popular right now

The Vanishing of Sidney Hall (2017)

How do Andrew Napier's films land?

Their typical MovieCove film has a Midcredits score in the 73^rd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 69^th percentile for acclaim.

Shape of the crowd

3 of their 8 titles are Crowd Pleasers.

1133

• Divisive1
• Cult Classic1
• Crowd Pleaser3
• Mixed3

Most divisive · director, writer, producer, cinematographer, editor

Mad As Hell (2014)

97^th percentile spread · 29% rated it 4 or lower

Most loved · producer, editor

Active Measures (2018)

Midcredits 96^th · 88% liked

Reviewers score the pacing 48/100 in their films, across 4 reviewed titles; fans 58, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrew Napier work with?

People who share at least 2 of Andrew Napier's MovieCove titles, grouped by what they did on them; Daniel Katz shares the most, 4.