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Emilie Levienaise-Farrouch

Emilie Levienaise-Farrouch

Composer · Paris, France

Emilie Levienaise-Farrouch (French: [emili ləvjenɛz faʁuʃ]) is a French pianist and composer based in London. She signed with FatCat Records' post-classical imprint 130701 in 2014 and Manners McDade in 2019. Her original score for Sarah Gavron's Rocks (2019) was nominated for a British Independent Film Award.

Read more

Biography from TMDB.

From
Paris, France
Works as
Composer
Titles
14 on MovieCove · 16 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 5% in 30 days

What are Emilie Levienaise-Farrouch's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Drama7 titlesTypical Midcredits score: 70th percentile
: browse their Drama movies
Documentary2 titlesTypical Midcredits score: 81st percentile, at or above their average across these genres
: browse their Documentary movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
21%
Survival
20%
Self
18%
Morality
13%
Society
11%
Power
9%
Ideas
8%
Family bonds3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeDuty2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this themePurpose2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 2 · Serious 2 · Dark 8

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 9 · Stylized 1 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 5 · Intense 6

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 4 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 11 · Some laughs 0 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 7 · Even-paced 4 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 7 · Full focus 3

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 3 · Heavy 9

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 6 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Contemplative
7
Dread
5
Melancholic
6
Bittersweet
4
Other
9

How their films linger

Thought-provoking10 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Bittersweet10
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Emilie Levienaise-Farrouch's films?

As of October 24, 2026, 13 of their 14 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Emilie Levienaise-Farrouch's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • H Is for Hawk(2025)

    Composer

    Midcredits score: 66th percentile of all films

  • The Assessment(2024)

    Composer

    Midcredits score: 70th percentile of all films

  • Late Shift(2025)

    Composer

    Midcredits score: 97th percentile of all films

  • The Agency(2024)

    Show 20 episodes · Composer

    Midcredits score: 75th percentile of all shows

  • Georgia O'Keeffe: The Brightness of Light(2024)

    Composer

    Midcredits score: 99th percentile of all films (provisional, few ratings)

  • All of Us Strangers(2023)

    Composer · Musician

    Midcredits score: 95th percentile of all films

  • The Strays(2023)

    Composer

    Midcredits score: 12th percentile of all films

  • Maternal(2023)

    Show Composer

    Midcredits score: 75th percentile of all shows

  • Living(2022)

    Composer

    Midcredits score: 87th percentile of all films

  • Censor(2021)

    Composer

    Midcredits score: 41st percentile of all films

  • The Forgotten Battle(2020)

    Composer

    Midcredits score: 84th percentile of all films

  • Rocks (not in the MovieCove catalog yet)(2020)

    Composer

  • Only You(2018)

    Composer

    Midcredits score: 70th percentile of all films

  • Art Ache (not in the MovieCove catalog yet)(2015)

    Composer

  • Tiger Orange(2014)

    Composer

    Midcredits score: 53rd percentile of all films

  • The Sheik and I(2012)

    Composer

    Midcredits score: 62nd percentile of all films

Career shape

A full career of 15 titles from 2012 to 2025.

Biggest box office

All of Us Strangers (2023)

$20M worldwide

Highest rated

Late Shift (2025)

Midcredits 97th

Most popular right now

The Agency (2024)

By role

only this rolewith another role
Music15 of 15: 14 only music, 1 with another role · typical Midcredits score70thOther crew1 of 15: 0 only other crew, 1 with another role

By decade

2010s4 · crew2020s11 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Emilie Levienaise-Farrouch's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 71st percentile for acclaim.

Acclaim · how much people like their films

71stpercentile
Typical film, the median of 12

Approval · how many liked their films

68thpercentile
Typical film, the median of 12

Reach · how many have seen their films

87thpercentile
Typical film, the median of 12

Midcredits score across 14 titles, by percentile

  • 75th and up7
  • 50th to 74th5
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

8 of their 14 titles are Crowd Pleasers.

  • Universally Loved3
  • Cult Classic1
  • Crowd Pleaser8
  • Broadly Agreed1
  • Mixed1

Most divisive · composer

The Sheik and I (2012)

71st percentile spread · 25% rated it 4 or lower

Most loved · composer

Late Shift (2025)

Midcredits 97th · 87% liked

Reviewers score the sound and music 69/100 in their films, across 7 reviewed titles; fans 75, detractors 47. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Emilie Levienaise-Farrouch's work okay for kids?

Across up to 9 MovieCove titles with content scores, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles5–86 · median 41 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity9 titles19–61 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity8 titles26–62 · median 51 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles32–50 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles21–78 · median 50 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Emilie Levienaise-Farrouch work with?

People who share at least 2 of Emilie Levienaise-Farrouch's MovieCove titles, grouped by what they did on them; Ollie Madden shares the most, 4.

Actors

Cinematographers and editors

Producers