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Nathan Michel

Composer

Nathan Michel is an American composer, producer and multi-instrumentalist. The New York Times praised his "haunting" score for Lana Wilson's feature documentary The Departure. Other recent film score credits include the hit Netflix documentary Jailbreak:Love on the Run; Narrowsburg, directed by Martha Shane; and the TV mini-series A Cure for Fear. His music has been heard at film festivals such as Sundance and Tribeca. Nathan has also composed music for major brands such as Nike, Apple, and Bud Light, including several Superbowl spots. His score for Nike's "Be Better / Mamba Forever" commercial, narrated by Kendrick Lamar, won a Cannes Bronze Lion and has received over 34 million views on YouTube. In 2007, along with songwriter Amber Papini and bass player Brian Betancourt, Nathan formed the band Hospitality. They released two critically acclaimed full-lengths on Merge Records and toured worldwide, including stops at major festivals such as Primavera Sound, Roskilde, Treasure Island, and Sasquatch. Groups they toured with include Jeff Tweedy, Wild Flag, Porches, Frankie Cosmos, Here We Go Magic, and others. They also performed on NPR's Tiny Desk Concert series. Rolling Stone named their debut album one of the best records of 2012, and Time included their song "I Miss Your Bones" on their list of the ten best songs of the 2010s. Nathan has also released four solo recordings of experimental pop music on the boutique labels Sonig, Tigerbeat6, Skipp and Tomlab. He was a pioneer in mixing pop songwriting with glitchy electronics, using an intuitive harmonic language informed by classical, jazz and experimental music. Pitchfork called his solo music "daring, but highly listenable." In the early 2000s Nathan frequently performed at New York City venues like Tonic and the Knitting Factory. In 2008 he was commissioned by Yamaha to write music for an experimental instrument called the Tenori-On, joining artists such as To Rococo Rot and Pole on an American and European tour that included a stop at Berlin's legendary club Berghain. Nathan has also collaborated with other artists, appearing on albums by French group DAT Politics, German duo Mouse on Mars, and the American band Dirty Projectors. He has also done remixes for Helado Negro and an installation with artist Neil Goldberg. His recent interests include improvising on a modular synthesizer system. A classically trained composer, Nathan received a Ph.D. in music composition from Princeton and also received degrees from the Yale School of Music, The Royal Conservatory in The Netherlands and Bowdoin College. Awards include a Charles Ives Fellowship from the American Academy of Arts and Letters, several ASCAP Morton Gould Awards, and a Naumburg Fellowship from Princeton. His composition teachers were Louis Andriessen, Paul Lansky, Steve Mackey, Martin Bresnick, Ezra Laderman and Elliott Schwartz. He was a featured composer for the 2014 Ecstatic Music Festival and has also written pieces for the Now Ensemble, The Boston Modern Orchestra Project, the Princeton Laptop Orchestra, and others. His work has been featured on NPR's Performance Today. Nathan is an Adjunct Professor at the College of Charleston, where he has taught a wide range of courses, including Music Theory, Audio Recording and Production, History of the Electronic Music, and History of Hip Hop.

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Biography from IMDb.

Works as
Composer
Titles
4 on MovieCove

What are Nathan Michel's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
32%
Self
22%
Morality
19%
Survival
12%
Society
8%
Ideas
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 2

Grounded 4 · Stylized 0 · Heightened 0

Gentle 2 · Charged 2 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Tense
2
Melancholic
2
Hopeful
2
Absurd
1
Other
3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nathan Michel's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Nathan Michel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Midcredits score: 58th percentile of all films
  • Narrowsburg(2019)

    Composer

    Midcredits score: 63rd percentile of all films
  • The Departure(2017)

    Composer

    Midcredits score: 83rd percentile of all films
  • From This Day Forward(2015)

    Composer

    Midcredits score: 62nd percentile of all films (provisional, few ratings)

Career shape

Across a limited sample of 4 MovieCove titles from 2015 to 2024.

By role

only this rolewith another role
Music4 of 4: 4 only music, 0 with another role

By decade

2010s3 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Nathan Michel's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 4

Approval · how many liked their films

59thpercentile
Typical film, the median of 4

Reach · how many have seen their films

31stpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 50th to 74th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nathan Michel work with?

People who share at least 2 of Nathan Michel's MovieCove titles, grouped by what they did on them; Frederick Shanahan shares the most, 2.

Editors

Producers