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MovieCove

Naomi Stevens

Producer

Works as
Producer
Titles
4 on MovieCove · 7 credits in all

What are Naomi Stevens' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Self.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 0

A split, not a type: Grounded 1 · Stylized 1 · Heightened 2

A split, not a type: Gentle 1 · Charged 1 · Intense 2

Steady 3 · Shifting 0 · Whiplash 1

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 3 · Affecting 0 · Heavy 1

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
2
Warm
2
Hopeful
2
Triumphant
2
Melancholic
1
Other
5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Naomi Stevens' films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Naomi Stevens' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 4 with a MovieCove page.

  • Kinky Boots: The Musical(2019)

    Co-Producer

    Midcredits score: 97th percentile of all films
  • Midcredits score: 98th percentile of all films
  • Miss Saigon: 25th Anniversary Performance (not in the MovieCove catalog yet)(2016)

    Co-Producer

  • An Evening with Noel Fielding (not in the MovieCove catalog yet)(2015)

    Producer

  • Midcredits score: 66th percentile of all films (provisional, few ratings)
  • Billy Elliot: The Musical Live (not in the MovieCove catalog yet)(2014)

    Production Manager

  • Love Never Dies(2012)

    Line Producer

    Midcredits score: 62nd percentile of all films

Career shape

A full career of 6 titles from 2012 to 2019.

By role

only this rolewith another role
Producing5 of 6: 5 only producing, 0 with another roleOther crew1 of 6: 1 only other crew, 0 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Naomi Stevens' films land?

Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 87th percentile for acclaim.

Acclaim · how much people like their films

87thpercentile
Typical film, the median of 4

Approval · how many liked their films

82ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

70thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Naomi Stevens work with?

People who share at least 2 of Naomi Stevens' MovieCove titles, grouped by what they did on them; David Tregoning shares the most, 4.

Directors

Writers

Cinematographers and editors