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Stephanie Filo

Stephanie Filo

Editor

3 Primetime Emmys · 1 other major award body

Stephanie Filo, ACE is a four-time Emmy Award-winning film and television editor, Peabody Award recipient, and ACE Eddie Award winner. Based in Los Angeles, California, and Sierra Leone, West Africa, she is also a passionate activist committed to global social justice. Filo serves on the board of Girls Empowerment Sierra Leone, a feminist organization supporting girls aged 11–16. She is also a co-founder of End Ebola Now, launched in 2014 to raise awareness about the Ebola crisis through artistic community activism. Beyond her editorial work in film and television, Filo dedicates much of her time to producing and editing social justice campaigns and documentaries, with a strong focus on women's and girls' rights worldwide. Her work has included collaborations with the United Nations, the International Labour Organisation, and the Obama White House Task Force's It’s On Us campaign to combat campus sexual assault. Her activism and creative work have been featured in Forbes, Entertainment Tonight, Al Jazeera, Yahoo, Telegraph UK, and more. Filo earned an Emmy nomination for the Mental State episode Ageing Out, addressing youth aging out of foster care, and won an Emmy for Separated, which tackled ICE deportations—making her and collaborator Nzinga Blake the first Sierra Leonean women to win an Emmy. In 2021, she made history with HBO’s A Black Lady Sketch Show, as part of the first all-Women of Colour editing team to win the Emmy for Outstanding Picture Editing for Variety Programming. She repeated history in 2022 as a member of the first all-Black editing team to win both an Emmy and an ACE Eddie for the same show. In 2023, she became the first picture editor—and the first Black editor—nominated for three different series in a single Emmy season. She received an Independent Spirit Award nomination for her work on the acclaimed feature film We Grown Now.

Read more

Biography from TMDB.

TMDB popularity, last 157 days to Oct 28Up 9% in 30 days

What are Stephanie Filo's films like?

Across their 14 Motif titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 3

Grounded 5 · Stylized 0 · Heightened 0

Gentle 1 · Charged 3 · Intense 1

A split, not a type: Steady 3 · Shifting 1 · Whiplash 1

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 3 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2

Resolved 2 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
5
Melancholic
5
Hopeful
4
Absurd
3
Other
13

How their films end · 2 with a twist

  • Happy1
  • Bittersweet6
  • Tragic1
  • Ambiguous5
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stephanie Filo's films?

As of October 24, 2026, 14 of their 18 Motif titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Stephanie Filo's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 18 with a Motif page.

  • Horsegirls(2025)

    Editor

    Midcredits score: 67th percentile of all films
  • Two Old Women (not in the Motif catalog yet)(2025)

    Editor

  • Daredevil: Born Again(2025)

    Show 6 episodes · Editor

    Midcredits score: 89th percentile of all shows
  • We Grown Now(2023)

    Editor

    Midcredits score: 75th percentile of all films
  • History of the World: Part II(2023)

    Show 8 episodes · Editor

    Midcredits score: 7th percentile of all shows
  • DAHMER - Monster: The Jeffrey Dahmer Story (not in the Motif catalog yet)(2022)

    Show 2 episodes · Editor

  • Root Letter(2022)

    Editor

    Midcredits score: 17th percentile of all films
  • Spinner (not in the Motif catalog yet)(2022)

    Editor

  • Mid-Century(2022)

    Editor

    Midcredits score: 3rd percentile of all films
  • Monster(2022)

    Show Editor

    Midcredits score: 81st percentile of all shows
  • Supervillain: The Making of Tekashi 6ix9ine(2021)

    Show 3 episodes · Editor

    Midcredits score: 26th percentile of all shows
  • Hopelessly in Love(2020)

    Show Editor

    Midcredits score: 64th percentile of all shows (provisional, few ratings)
  • Midcredits score: 24th percentile of all films
  • A Black Lady Sketch Show(2019)

    Show 3 episodes · Editor

    Midcredits score: 64th percentile of all shows
  • Midcredits score: 24th percentile of all shows
  • Midcredits score: 2nd percentile of all shows
  • Surviving R. Kelly(2019)

    Show Editor

    Midcredits score: 67th percentile of all shows
  • Outrageous 911(2013)

    Show Editor

    Midcredits score: 40th percentile of all shows (provisional, few ratings)
  • Blood Relatives(2012)

    Show 6 episodes · Editor

    Midcredits score: 50th percentile of all shows
  • Excavating the 2000 Year Old Man (not in the Motif catalog yet)(2012)

    Editor

  • Cursed(2012)

    Show Editor

    Midcredits score: 13th percentile of all shows
  • Hood to Coast(2011)

    Assistant Editor

    Midcredits score: 93rd percentile of all films
  • Not Even Death (not in the Motif catalog yet)(2009)

    Editor

Career shape

A full career of 14 titles from 2009 to 2026.

By role

only this rolewith another role
Editing13 of 14: 13 only editing, 0 with another role · typical Midcredits score57thOther crew1 of 14: 1 only other crew, 0 with another role

By decade

2000s1 · crew2010s4 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

Awards

3 Primetime Emmys from 6 major nominations, 2021–2024.

WinNomination
  1. 2024
    • Independent Spirit Award, nominated · Best Editing
  2. 2023
    • Primetime Emmy, won · Outstanding Picture Editing for Variety Programming
    • Primetime Emmy, nominated · Outstanding Picture Editing for a Limited or Anthology Series or Movie
    • Primetime Emmy, nominated · Outstanding Picture Editing for Variety Programming
  3. 2022
    • Primetime Emmy, won · Outstanding Picture Editing for Variety Programming
  4. 2021
    • Primetime Emmy, won · Outstanding Picture Editing for Variety Programming

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Stephanie Filo's films land?

Their typical Motif film has a Midcredits score in the 46th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 5

Approval · how many liked their films

17thpercentile
Typical film, the median of 5

Reach · how many have seen their films

65thpercentile
Typical film, the median of 5

Midcredits score across 18 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th2
  • Below 25th7

Reviewers score the pacing 48/100 in their films, across 4 reviewed titles; fans 63, detractors 8. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Stephanie Filo work with?

People who share at least 2 of Stephanie Filo's Motif titles, grouped by what they did on them; Daysha Broadway shares the most, 3.

Directors

Editors

Producers

Mixed roles