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Shane Reid

Shane Reid

Editor and producer · Born January 1, 1983 (43)

Primetime Emmy nominee

Shane Reid is an American film editor. Description above from the Wikipedia article Shane Reid, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Biography from TMDB.

Born
January 1, 1983 (43)
Works as
Editor and producer
Titles
7 on MovieCove · 10 credits in all

What are Shane Reid's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 2 · Heightened 1

Gentle 0 · Charged 2 · Intense 2

Steady 1 · Shifting 2 · Whiplash 1

Straight-faced 1 · Some laughs 2 · Funny 1

A split, not a type: Slow burn 1 · Even-paced 1 · Relentless 2

Casual 0 · Engaged 3 · Full focus 1

A split, not a type: Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Thrilling
2
Tense
1
Contemplative
1
Hopeful
1
Absurd
1
Other
5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Shane Reid's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Hulu (3).

Subscription and free streaming for Shane Reid's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 7 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • John Candy: I Like Me(2025)

    Editor · Producer

    Midcredits score: 98th percentile of all films
  • Saturday Night(2024)

    Editor

    Midcredits score: 75th percentile of all films
  • It Ends with Us(2024)

    Additional Editor

    Midcredits score: 49th percentile of all films
  • Midcredits score: 91st percentile of all films
  • Midcredits score: 41st percentile of all films
  • I'm on Fire (not in the MovieCove catalog yet)(2023)

    Editor

  • Last Stop Larrimah: Murder Down Under (not in the MovieCove catalog yet)(2023)

    Co-Producer

  • A Hidden Life(2019)

    Additional Editor

    Midcredits score: 91st percentile of all films
  • Midcredits score: 96th percentile of all films
  • Untitled Thunderbolt & Lightfoot Remake (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 10 titles, 9 of them dated from 2016 to 2025.

By role

only this rolewith another role
Directing1 of 10: 1 only directing, 0 with another roleProducing2 of 10: 1 only producing, 1 with another roleEditing8 of 10: 7 only editing, 1 with another role · typical Midcredits score91st

By decade

2010s2 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

2 major nominations and no wins, 2026.

  1. 2026
    • Primetime Emmy, nominated · Outstanding Documentary or Nonfiction Special
    • Primetime Emmy, nominated · Outstanding Picture Editing for a Nonfiction Program

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Shane Reid's films land?

Their typical MovieCove film has a Midcredits score in the 91st percentile, the median of all 7; across a limited sample of 4 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 4

Approval · how many liked their films

83rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

97thpercentile
Typical film, the median of 4

Midcredits score across 7 titles, by percentile

  • 75th and up5
  • 25th to 49th2

Reviewers score the pacing 51/100 in their films, across 4 reviewed titles; fans 61, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Shane Reid's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 40 · moderateMedian of all films: 44
Sex & Nudity3 titlesmedian 43 · moderateMedian of all films: 32
Profanity3 titlesmedian 88 · severeMedian of all films: 36
Alcohol & Drugs3 titlesmedian 57 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 53 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Shane Reid work with?

People who share at least 2 of Shane Reid's MovieCove titles, grouped by what they did on them; Gil Kenan shares the most, 2.

Writers

Cinematographers and editors

Producers