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Chris Bredesen

Editor and producer

Works as
Editor and producer
Titles
3 on MovieCove

What are Chris Bredesen's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
38%
Self
31%
Society
19%
Ideas
12%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

A split, not a type: Grounded 2 · Stylized 0 · Heightened 1

Gentle 0 · Charged 3 · Intense 0

Steady 1 · Shifting 1 · Whiplash 1

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
2
Tense
2
Absurd
1
Contemplative
1
Manic
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chris Bredesen's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Prime Video (2).

Subscription and free streaming for Chris Bredesen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

  • Starf*cker(2022)

    Producer

    Midcredits score: 28th percentile of all films
  • Echo in the Canyon(2018)

    Editor

    Midcredits score: 80th percentile of all films
  • Texas Heart(2016)

    Editor

    Midcredits score: 39th percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 2016 to 2022.

By role

only this rolewith another role
Producing1 of 3: 1 only producing, 0 with another roleEditing2 of 3: 2 only editing, 0 with another role

By decade

2010s2 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Chris Bredesen's films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 29th percentile for acclaim.

Acclaim · how much people like their films

29thpercentile
Typical film, the median of 3

Approval · how many liked their films

49thpercentile
Typical film, the median of 3

Reach · how many have seen their films

34thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 25th to 49th2

Reviewers score the pacing 56/100 in their films, across 3 reviewed titles; fans 65, detractors 28. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chris Bredesen work with?

People who share at least 2 of Chris Bredesen's MovieCove titles; Mark David shares the most, 2.