Ippolita Di Majo

What are Ippolita Di Majo's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ippolita Di Majo's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Ippolita Di Majo's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Fuori(2025)

  Writer

  Midcredits score: 46th percentile of all films46^th
• 

  The King of Laughter(2021)

  Writer

  Midcredits score: 84th percentile of all films84^th
• 

  The Mayor of Rione Sanità(2019)

  Writer

  Midcredits score: 49th percentile of all films49^th
• 

  Capri-Revolution(2018)

  Writer

  Midcredits score: 51st percentile of all films51^st

Career shape

Across a limited sample of 4 MovieCove titles from 2018 to 2025.

Biggest box office

Fuori (2025)

$2.6M worldwide

Highest rated

The King of Laughter (2021)

Midcredits 84^th

Most popular right now

Fuori (2025)

How do Ippolita Di Majo's films land?

Their typical MovieCove film has a Midcredits score in the 50^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 59^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Mixed.

112

• Crowd Pleaser1
• Broadly Agreed1
• Mixed2

Most divisive · writer

Capri-Revolution (2018)

61^st percentile spread · 28% rated it 4 or lower

Most loved · writer

The King of Laughter (2021)

Midcredits 84^th · 72% liked

Reviewers score the dialogue 32/100 and the plot and story 33/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ippolita Di Majo work with?

People who share at least 2 of Ippolita Di Majo's MovieCove titles, grouped by what they did on them; Mario Martone shares the most, 4.