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MovieCove

Marc Hansell

Producer

Works as
Producer
Titles
13 on MovieCove · 15 credits in all

What are Marc Hansell's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 3 · Dark 5

A split, not a type: Grounded 8 · Stylized 4 · Heightened 1

Gentle 2 · Charged 6 · Intense 5

Steady 4 · Shifting 8 · Whiplash 1

A split, not a type: Straight-faced 7 · Some laughs 4 · Funny 2

Slow burn 5 · Even-paced 7 · Relentless 1

Casual 6 · Engaged 6 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 3 · Heavy 7

Resolved 9 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
6
Warm
5
Romantic
4
Dread
3
Other
13

How their films end · 2 with a twist

  • Happy5
  • Bittersweet3
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marc Hansell's films?

As of October 24, 2026, 9 of their 13 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Marc Hansell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 13 with a MovieCove page.

  • Endless(2020)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • The Aspern Papers(2018)

    Executive Producer

    Midcredits score: 14th percentile of all films
  • Siberia(2018)

    Producer

    Midcredits score: 3rd percentile of all films
  • Frankenstein(2015)

    Executive Producer

    Midcredits score: 21st percentile of all films
  • 3 Türken & ein Baby(2015)

    Producer

    Midcredits score: 23rd percentile of all films
  • Hector and the Search for Happiness(2014)

    Executive Producer

    Midcredits score: 72nd percentile of all films
  • Big Game(2014)

    Producer

    Midcredits score: 20th percentile of all films
  • Coming In(2014)

    Producer

    Midcredits score: 39th percentile of all films
  • Filth(2013)

    Producer

    Midcredits score: 80th percentile of all films
  • The Devil's Violinist(2013)

    Producer

    Midcredits score: 47th percentile of all films
  • Unfinished Song(2012)

    Executive Producer

    Midcredits score: 76th percentile of all films
  • Playoff (not in the MovieCove catalog yet)(2011)

    Associate Producer

  • Carlos (not in the MovieCove catalog yet)(2010)

    Producer

  • Black Death(2010)

    Producer

    Midcredits score: 56th percentile of all films
  • The Last Station(2009)

    Producer

    Midcredits score: 78th percentile of all films

Career shape

A full career of 7 titles from 2010 to 2020.

By role

only this rolewith another role
Producing7 of 7: 7 only producing, 0 with another role · typical Midcredits score21st

By decade

2010s6 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Marc Hansell's films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 13

Approval · how many liked their films

32ndpercentile
Typical film, the median of 13

Reach · how many have seen their films

86thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Marc Hansell's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles54–84 · median 64 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles12–73 · median 52 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles45–87 · median 69 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles21–82 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles46–79 · median 62 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Marc Hansell work with?

People who share at least 2 of Marc Hansell's MovieCove titles, grouped by what they did on them; Christian Angermayer shares the most, 10.

Directors

Actors

Cinematographers and editors

Producers