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Georgi Gitis

Georgi Gitis

Producer · Born March 2, 1977 (49)

Born
March 2, 1977 (49)
Works as
Producer
Titles
3 on MovieCove · 12 credits in all
TMDB popularity, last 39 days to Oct 28Down 3% in 30 days

What are Georgi Gitis' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Themes

share of theme weight
Bonds
72%
Society
15%
Self
13%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 0 · Stylized 3 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 0 · Some laughs 3 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
2
Hopeful
1
Bittersweet
1
Triumphant
1
Romantic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Georgi Gitis' films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Georgi Gitis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 3 with a MovieCove page.

  • The Myth of Marakuda(2025)

    Executive Producer

    Midcredits score: 39th percentile of all films
  • The Nutcracker and the Magic Flute(2022)

    Director · Producer

    Midcredits score: 35th percentile of all films
  • My Sweet Monster(2021)

    Executive Producer

    Midcredits score: 21st percentile of all films
  • Sinbad: Pirates of the Seven Storms (not in the MovieCove catalog yet)(2016)

    Executive Producer

  • How to Catch a Feather from the Firebird (not in the MovieCove catalog yet)(2013)

    Producer

  • Ku! Kin-dza-dza (not in the MovieCove catalog yet)(2013)

    Executive Producer

  • Literal Stories (not in the MovieCove catalog yet)(2012)

    Show 33 episodes · Director

  • Novye Priklyucheniya Alenushki i Eremy (not in the MovieCove catalog yet)(2009)

    Director

  • Adventures of Alyonushka and Yerema (not in the MovieCove catalog yet)(2008)

    Director

  • Lullabies of the World (not in the MovieCove catalog yet)(2003)

    Script

  • Little Seven-Forty (not in the MovieCove catalog yet)(1999)

    Director

  • FAT FAT (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 12 titles, 11 of them dated from 1999 to 2025.

By role

only this rolewith another role
Directing5 of 12: 5 only directing, 0 with another roleProducing6 of 12: 6 only producing, 0 with another roleOther crew1 of 12: 1 only other crew, 0 with another role

By decade

1990s1 · crew2000s3 · crew2010s4 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Georgi Gitis' films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 3

Approval · how many liked their films

30thpercentile
Typical film, the median of 3

Reach · how many have seen their films

55thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th2
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Georgi Gitis work with?

People who share at least 2 of Georgi Gitis' MovieCove titles, grouped by what they did on them; Viktor Glukhushin shares the most, 3.

Directors

Writers

Actors

Composers

Producers