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Fee Scherer

Cinematographer

Works as
Cinematographer
Titles
4 on MovieCove · 6 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 14% in 30 days

What are Fee Scherer's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
42%
Bonds
19%
Survival
17%
Society
12%
Power
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 2 · Serious 1 · Dark 0

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 0 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 0 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 0 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Tense
1
Melancholic
1
Warm
1
Bittersweet
1

How their films linger

Hopeful3 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fee Scherer's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, on Tubi (2).

Subscription and free streaming for Fee Scherer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 4 with a MovieCove page.

  • Away You Go(2018)

    Cinematographer

    Midcredits score: 42nd percentile of all films

  • Everything Always All the Time(2018)

    Cinematographer

    Midcredits score: 26th percentile of all films (provisional, few ratings)

  • Dancing Quietly (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • Love Me!(2014)

    Cinematographer

    Midcredits score: 23rd percentile of all films

  • Da Blechhauf’n: Ghostriders in the sky (not in the MovieCove catalog yet)(2013)

    Cinematographer

  • The Depraved(2011)

    Assistant Camera

    Midcredits score: 19th percentile of all films

Career shape

A full career of 5 titles from 2011 to 2018.

Highest rated

Love Me! (2014)

Midcredits 23rd

By role

only this rolewith another role
Cinematography4 of 5: 4 only cinematography, 0 with another roleOther crew1 of 5: 1 only other crew, 0 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Fee Scherer's films land?

Their typical MovieCove film has a Midcredits score in the 25th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 3

Approval · how many liked their films

35thpercentile
Typical film, the median of 3

Reach · how many have seen their films

28thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 25th to 49th2
  • Below 25th2

Shape of the crowd

3 of their 4 titles are Mixed.

  • Divisive1
  • Mixed3

Most divisive · cinematographer

Everything Always All the Time (2018)

91st percentile spread · 43% rated it 4 or lower

Most loved · cinematographer

Away You Go (2018)

Midcredits 42nd · 49% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Fee Scherer work with?

People who share at least 2 of Fee Scherer's MovieCove titles, grouped by what they did on them; Philipp Eichholtz shares the most, 3.

Directors

Actors

Composers and editors

Producers