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Pierre-Hubert Martin

Cinematographer

Works as
Cinematographer
Titles
6 on MovieCove · 22 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 13% in 30 days

What are Pierre-Hubert Martin's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
50%
Morality
14%
Society
14%
Power
9%
Bonds
7%
Ideas
7%
Purpose2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 0 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 2 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Melancholic
3
Tense
2
Bittersweet
1
Dread
1

How their films linger

Thought-provoking2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pierre-Hubert Martin's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Pierre-Hubert Martin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 6 with a MovieCove page.

  • The Incredible Snow Woman(2025)

    Cinematographer

    Midcredits score: 47th percentile of all films

  • Bulle Ogier, Portrait of a Hidden Star (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Queen Mom (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Six Feet Over (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Agathe, Solange and Me (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Beating Sun (not in the MovieCove catalog yet)(2023)

    Cinematographer

  • Teodor Currentzis: Utopia (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • The Temple Woods Gang (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • A Woman(2022)

    Cinematographer

    Midcredits score: 8th percentile of all films

  • A Night at the Louvre: Leonardo da Vinci (not in the MovieCove catalog yet)(2020)

    Director

  • The Great Ghosts (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • A Faithful Man(2018)

    First Assistant Camera

    Midcredits score: 41st percentile of all films

  • Fait divers (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • A Paris Education(2018)

    Cinematographer

    Midcredits score: 56th percentile of all films

  • Cajou (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Ismael's Ghosts(2017)

    First Assistant Camera

    Midcredits score: 32nd percentile of all films

  • Sarah Winchester: Ghost Opera (not in the MovieCove catalog yet)(2016)

    First Assistant Camera

  • À Notre Liberté Retrouvée (not in the MovieCove catalog yet)(2016)

    Camera Operator · Cinematographer

  • The Competition(2016)

    Cinematographer

    Midcredits score: 75th percentile of all films

  • Pixel (not in the MovieCove catalog yet)(2014)

    Camera Operator

  • Figures (not in the MovieCove catalog yet)(2013)

    Cinematographer

  • Dos au mur (not in the MovieCove catalog yet)(2011)

    Cinematographer

Career shape

A full career of 21 titles from 2011 to 2025.

Biggest box office

The Incredible Snow Woman (2025)

$627K worldwide

Highest rated

The Competition (2016)

Midcredits 75th

Most popular right now

A Woman (2022)

By role

only this rolewith another role
Directing1 of 21: 1 only directing, 0 with another roleCinematography16 of 21: 15 only cinematography, 1 with another roleOther crew5 of 21: 4 only other crew, 1 with another role

By decade

2010s11 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Pierre-Hubert Martin's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 4

Approval · how many liked their films

48thpercentile
Typical film, the median of 4

Reach · how many have seen their films

60thpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

None of their 6 titles divides audiences: 4 are Mixed.

  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed4

Most loved · cinematographer

The Competition (2016)

Midcredits 75th · 66% liked

Reviewers score the cinematography 63/100 in their films, across 3 reviewed titles; fans 80, detractors 60. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Pierre-Hubert Martin work with?

People who share at least 2 of Pierre-Hubert Martin's MovieCove titles; Jean-Paul Civeyrac shares the most, 2.