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Graham Robbins

Graham Robbins

Cinematographer, also producer

Works as
Cinematographer, also producer
Titles
21 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 18% in 30 days

What are Graham Robbins' films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy9 titlesTypical Midcredits score: 21st percentile
: browse their Comedy movies
Adventure2 titlesTypical Midcredits score: 12th percentile
: browse their Adventure movies
Drama2 titlesTypical Midcredits score: 37th percentile, at or above their average across these genres
: browse their Drama movies
Horror2 titlesTypical Midcredits score: 24th percentile, at or above their average across these genres
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
50%
Self
19%
Survival
15%
Morality
9%
Society
7%
Ideas
1%
Family bonds8 titles, browse their movies with this themeRomantic love6 titles, browse their movies with this themeFriendship6 titles, browse their movies with this themeSelf-worth6 titles, browse their movies with this themeCommunity5 titles, browse their movies with this themeComing of age3 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeDeception3 titles, browse their movies with this theme

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 15 · Serious 0 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 13 · Stylized 5 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 12 · Charged 2 · Intense 5

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 13 · Shifting 5 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 10 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 11 · Even-paced 6 · Relentless 2

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 14 · Engaged 4 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 15 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
10
Warm
8
Tense
6
Romantic
5
Hopeful
5
Other
16

How their films linger

Feel-good12 titles, browse their movies with this aftertasteHopeful9 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy12
  • Bittersweet4
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Graham Robbins' films?

As of October 24, 2026, 19 of their 21 MovieCove titles stream on a subscription or free service, most on Prime Video (7).

Also on these channels

Subscription and free streaming for Graham Robbins' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 21 with a MovieCove page.

Career shape

A full career of 14 titles from 2015 to 2025.

Biggest box office

Cell (2016)

$1.3M worldwide

Highest rated

Love in the Limelight (2022)

Midcredits 64th

Most popular right now

Cell (2016)

By role

only this rolewith another role
Cinematography13 of 14: 13 only cinematography, 0 with another role · typical Midcredits score26thOther crew1 of 14: 1 only other crew, 0 with another role

By decade

2010s4 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Graham Robbins' films land?

Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 21; across their 19 films with reception data, the typical film sits in the 23rd percentile for acclaim.

Acclaim · how much people like their films

23rdpercentile
Typical film, the median of 19

Approval · how many liked their films

20thpercentile
Typical film, the median of 19

Reach · how many have seen their films

66thpercentile
Typical film, the median of 19

Midcredits score across 21 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th5
  • Below 25th11

Shape of the crowd

10 of their 21 titles are Mixed.

  • Universally Loved1
  • Universally Panned2
  • Divisive1
  • Cult Classic2
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed10

Most divisive · cinematographer

Break Night (2017)

92nd percentile spread · 51% rated it 4 or lower

Most loved · cinematographer

Love in the Limelight (2022)

Midcredits 64th · 55% liked

Reviewers score the cinematography 59/100 in their films, across 12 reviewed titles; fans 68, detractors 41. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Graham Robbins' work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles4–53 · median 8 · minimallighter than most filmsMedian of all films: 44
Sex & Nudity8 titles19–41 · median 30 · mildnear the median of all filmsMedian of all films: 32
Profanity6 titles9–40 · median 19 · mildlighter than most filmsMedian of all films: 36
Alcohol & Drugs6 titles27–46 · median 37 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles4–50 · median 7 · minimallighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Graham Robbins work with?

People who share at least 2 of Graham Robbins' MovieCove titles, grouped by what they did on them; Ron Oliver shares the most, 6.

Directors

Actors

Composers and editors

Producers