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What are Jang Won-seok's films like?

Across their 35 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 30 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 6 · Dark 18

A split, not a type: Grounded 17 · Stylized 11 · Heightened 2

Gentle 2 · Charged 6 · Intense 22

Steady 9 · Shifting 17 · Whiplash 4

Straight-faced 21 · Some laughs 8 · Funny 1

Slow burn 2 · Even-paced 18 · Relentless 10

Casual 4 · Engaged 17 · Full focus 9

A split, not a type: Easy watch 3 · Affecting 13 · Heavy 14

Resolved 19 · Open-ended 8 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
28
Thrilling
16
Dread
8
Melancholic
8
Hopeful
7
Other
22

How their films end · 10 with a twist

  • Happy9
  • Bittersweet14
  • Tragic1
  • Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jang Won-seok's films?

As of October 24, 2026, 31 of their 35 MovieCove titles stream on a subscription or free service, most on Tubi (20).

Subscription and free streaming for Jang Won-seok's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 35 with a MovieCove page.

  • The King’s Warden(2026)

    Producer

    Midcredits score: 87th percentile of all films
  • Beyond the Bar(2025)

    Show Producer

    Midcredits score: 82nd percentile of all shows
  • Flex x Cop(2024)

    Show Producer

    Midcredits score: 88th percentile of all shows
  • Seoul Busters(2024)

    Show Producer

    Midcredits score: 94th percentile of all shows
  • Midcredits score: 73rd percentile of all films
  • Rebound(2023)

    Producer

    Midcredits score: 84th percentile of all films
  • Revenant(2023)

    Show Producer

    Midcredits score: 88th percentile of all shows
  • Road to Boston(2023)

    Producer

    Midcredits score: 87th percentile of all films
  • Midcredits score: 74th percentile of all films
  • Big Bet(2022)

    Show Producer

    Midcredits score: 47th percentile of all shows
  • Men of Plastic(2022)

    Producer

    Midcredits score: 31st percentile of all films
  • The Roundup(2022)

    Producer

    Midcredits score: 86th percentile of all films
  • Midcredits score: 81st percentile of all films
  • The Devil's Deal(2021)

    Producer

    Midcredits score: 49th percentile of all films
  • Midcredits score: 83rd percentile of all films
  • Intruder(2020)

    Producer

    Midcredits score: 52nd percentile of all films
  • Spiritwalker(2020)

    Producer

    Midcredits score: 53rd percentile of all films
  • Midcredits score: 55th percentile of all films
  • Long Live the King(2019)

    Producer

    Midcredits score: 51st percentile of all films
  • Tazza: One-Eyed Jack(2019)

    Producer

    Midcredits score: 46th percentile of all films
  • Midcredits score: 89th percentile of all films
  • Unstoppable(2018)

    Producer

    Midcredits score: 75th percentile of all films
  • Forgotten(2017)

    Producer

    Midcredits score: 95th percentile of all films
  • Memoirs of a Murderer(2017)

    Producer

    Midcredits score: 73rd percentile of all films
  • The Outlaws(2017)

    Producer

    Midcredits score: 90th percentile of all films
  • The Hunt(2016)

    Producer

    Midcredits score: 24th percentile of all films
  • Tunnel(2016)

    Producer

    Midcredits score: 78th percentile of all films
  • Chronicles of Evil(2015)

    Producer

    Midcredits score: 74th percentile of all films
  • A Hard Day(2014)

    Producer

    Midcredits score: 90th percentile of all films
  • Way Back Home(2013)

    Producer

    Midcredits score: 92nd percentile of all films
  • Confession of Murder(2012)

    Producer

    Midcredits score: 82nd percentile of all films
  • Come Rain, Come Shine(2011)

    Producer

    Midcredits score: 56th percentile of all films
  • War of the Arrows(2011)

    Producer

    Midcredits score: 87th percentile of all films
  • Secret Reunion(2010)

    Producer

    Midcredits score: 75th percentile of all films
  • Midcredits score: 91st percentile of all films

Career shape

Across their 35 MovieCove titles from 2005 to 2026.

By role

only this rolewith another role
Producing35 of 35: 35 only producing, 0 with another role · typical Midcredits score81st

By decade

2000s1 · crew2010s17 · crew2020s17 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jang Won-seok's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 30; across their 30 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 30

Approval · how many liked their films

75thpercentile
Typical film, the median of 30

Reach · how many have seen their films

81stpercentile
Typical film, the median of 30

Midcredits score across 35 titles, by percentile

  • 75th and up21
  • 50th to 74th9
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

22 of their 35 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser22
  • Broadly Agreed2
  • Mixed6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jang Won-seok's work okay for kids?

Across up to 13 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles56–90 · median 85 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity13 titles6–36 · median 11 · minimallighter than most filmsMedian of all films: 32
Profanity8 titles29–88 · median 74 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles6–58 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles63–76 · median 70 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jang Won-seok work with?

People who share at least 2 of Jang Won-seok's MovieCove titles, grouped by what they did on them; Ma Dong-seok shares the most, 8.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles