Stacey Menear
- Writer
- 3 on MovieCove
Known for
What are Stacey Menear's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 1 · Dark 2
Grounded 1 · Stylized 2 · Heightened 0
A split, not a type: Gentle 1 · Charged 0 · Intense 2
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stacey Menear's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, on Netflix (2).
Subscription and free streaming for Stacey Menear's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Mixtape(2021)
Midcredits score: 68th percentile of all films
Brahms: The Boy II(2020)
Midcredits score: 11th percentile of all films
The Boy(2016)
Midcredits score: 37th percentile of all films
Career shape
A full career of 3 titles from 2016 to 2021.
How do Stacey Menear's films land?
Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 1 is Crowd Pleaser.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 46/100 and the plot and story 44/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Stacey Menear work with?
People who share at least 2 of Stacey Menear's MovieCove titles, grouped by what they did on them; Jim Wedaa shares the most, 3.
Directors
- William Brent BellShared titles: Brahms: The Boy II (2020), The Boy (2016)See all 2 shared titles with William Brent Bell
Editors
- Brian BerdanShared titles: Brahms: The Boy II (2020), The Boy (2016)See all 2 shared titles with Brian Berdan
Producers
- Jim WedaaShared titles: Mixtape (2021), Brahms: The Boy II (2020), The Boy (2016)See all 3 shared titles with Jim Wedaa
- Adam FogelsonShared titles: Brahms: The Boy II (2020), The Boy (2016)See all 2 shared titles with Adam Fogelson
- Eric ReidShared titles: Brahms: The Boy II (2020), The Boy (2016)See all 2 shared titles with Eric Reid
- Gary LucchesiShared titles: Brahms: The Boy II (2020), The Boy (2016)See all 2 shared titles with Gary Lucchesi
