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What are Luca Esposito's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 0 · Dark 2

Grounded 3 · Stylized 2 · Heightened 0

A split, not a type: Gentle 3 · Charged 1 · Intense 1

Steady 3 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 3

Slow burn 2 · Even-paced 2 · Relentless 1

Casual 4 · Engaged 0 · Full focus 1

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
3
Joyful
3
Absurd
1
Tense
1
Thrilling
1
Other
4

How their films end

  • Happy3
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luca Esposito's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on Netflix (1).

Subscription and free streaming for Luca Esposito's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • 10 giorni con i suoi(2025)

    Cinematographer

    Midcredits score: 31st percentile of all films
  • The Tearsmith(2024)

    Cinematographer

    Midcredits score: 21st percentile of all films
  • Una famiglia sottosopra(2024)

    Cinematographer

    Midcredits score: 14th percentile of all films
  • The Beast(2020)

    Cinematographer

    Midcredits score: 17th percentile of all films
  • Maicol Jecson(2014)

    Cinematographer

    Midcredits score: 45th percentile of all films

Career shape

Across their 5 MovieCove titles from 2014 to 2025.

By role

only this rolewith another role
Cinematography5 of 5: 5 only cinematography, 0 with another role · typical Midcredits score21st

By decade

2010s1 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Luca Esposito's films land?

Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 5

Approval · how many liked their films

17thpercentile
Typical film, the median of 5

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 25th to 49th2
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Luca Esposito work with?

People who share at least 2 of Luca Esposito's MovieCove titles, grouped by what they did on them; Alessandro Genovesi shares the most, 3.

Directors

Actors

Composers and editors