René-Marie Bobichon

What are René-Marie Bobichon's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch René-Marie Bobichon's films?

As of October 24, 2026, none of René-Marie Bobichon's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for René-Marie Bobichon's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  The Schoolteacher Goes to Boys' High(1978)

  Producer

  Midcredits score: 8th percentile of all films8^th
• 

  The Soldier with Great Maneuvers(1978)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Soldier of Fortune(1976)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  The Innocent(1976)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Jerk à Istanbul(1967)

  Producer

  Midcredits score: 3rd percentile of all films3^rd

Career shape

Across their 5 MovieCove titles from 1967 to 1978.

Biggest box office

The Innocent (1976)

$5.9M worldwide

Highest rated

The Innocent (1976)

Midcredits 89^th

Most popular right now

The Soldier with Great Maneuvers (1978)

How do René-Marie Bobichon's films land?

Their typical MovieCove film has a Midcredits score in the 11^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 14^th percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Crowd Pleasers.

122

• Universally Panned1
• Crowd Pleaser2
• Mixed2

Most divisive · producer

The Schoolteacher Goes to Boys' High (1978)

53^rd percentile spread · 48% rated it 4 or lower

Most loved · producer

The Innocent (1976)

Midcredits 89^th · 77% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does René-Marie Bobichon work with?

People who share at least 2 of René-Marie Bobichon's MovieCove titles, grouped by what they did on them; Jacques Leitienne shares the most, 5.