Ivete Lucas was born in Brazil, started her career in Mexico and now lives in the United States. Her short documentary, The Send-Off, co-directed with her partner Patrick Bresnan, premiered at Sundance in 2016 and won jury awards at SXSW, AFI Fest and the San Francisco International Film Festival. She is the producer and editor of the multiple award-winning short, The Rabbit Hunt (2017), directed by Bresnan.
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Biography from TMDB.
- May 5, 1983 (43)
- Director, editor, producer and writer
- 3 on MovieCove · 11 credits in all
What are Ivete Lucas' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
A split, not a type: Casual 2 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ivete Lucas' films?
As of October 24, 2026, none of Ivete Lucas' 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Ivete Lucas' titles on MovieCove; rent and buy are not counted.
Filmography
11 credits, 3 with a MovieCove page.
Midcredits score: 92nd percentile of all films
The Contestant (not in the MovieCove catalog yet)(2025)
Naked Gardens(2022)
Midcredits score: 61st percentile of all films (provisional, few ratings)
The Passing (not in the MovieCove catalog yet)(2023)
Happiness Is a Journey (not in the MovieCove catalog yet)(2021)
Pahokee(2019)
Midcredits score: 78th percentile of all films
Skip Day (not in the MovieCove catalog yet)(2018)
The Curse and the Jubilee (not in the MovieCove catalog yet)(2018)
Roadside Attraction (not in the MovieCove catalog yet)(2017)
The Rabbit Hunt (not in the MovieCove catalog yet)(2017)
The Send-Off (not in the MovieCove catalog yet)(2015)
Career shape
A full career of 11 titles from 2015 to 2026.
How do Ivete Lucas' films land?
Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 79th percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
1 of their 3 titles is Loved with Detractors.
- Loved with Detractors1
- Cult Classic1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ivete Lucas work with?
People who share at least 2 of Ivete Lucas' MovieCove titles, grouped by what they did on them; Patrick Bresnan shares the most, 3.
Directors
- Patrick BresnanShared titles: First They Came for My College (2026), Naked Gardens (2022), Pahokee (2019)See all 3 shared titles with Patrick Bresnan
Producers
- Monique WaltonShared titles: First They Came for My College (2026), Pahokee (2019)See all 2 shared titles with Monique Walton
- Laurence ReymondShared titles: Naked Gardens (2022), Pahokee (2019)See all 2 shared titles with Laurence Reymond