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Francesco Di Stefano

Editor

Works as
Editor
Titles
10 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Up 20% in 30 days

What are Francesco Di Stefano's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
43%
Bonds
31%
Survival
11%
Society
8%
Self
7%
Family bonds2 titles, browse their movies with this themeGuilt2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 1 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 0 · Stylized 2 · Heightened 1

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 0 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 0 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 2 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 1 · Heavy 2

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Melancholic
2
Contemplative
2
Bittersweet
1
Cathartic
1

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Francesco Di Stefano's films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Francesco Di Stefano's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 10 with a MovieCove page.

  • Scuola di seduzione(2026)

    Art Department Coordinator

    Midcredits score: 21st percentile of all films

  • The Forbidden City(2025)

    Editor

    Midcredits score: 76th percentile of all films

  • Time After Time(2023)

    Show 8 episodes · Editor

    Midcredits score: 47th percentile of all shows

  • Delta (not in the MovieCove catalog yet)(2023)

    Editor

  • The Man on the Road(2022)

    Editor

    Midcredits score: 49th percentile of all films

  • Blocco 181 (not in the MovieCove catalog yet)(2022)

    Show 8 episodes · Editor

  • Freaks Out(2021)

    Editor

    Midcredits score: 82nd percentile of all films

  • The Hunter (not in the MovieCove catalog yet)(2018)

    Show 12 episodes · Editor

  • Sicilian Ghost Story(2017)

    Assistant Editor · Supervising Sound Editor

    Midcredits score: 64th percentile of all films

  • Stella 1 (not in the MovieCove catalog yet)(2017)

    Editor

  • The Young Pope(2016)

    Show 10 episodes · Assistant Editor

    Midcredits score: 93rd percentile of all shows

  • Youth(2015)

    Assistant Editor

    Midcredits score: 86th percentile of all films

  • Black Souls(2014)

    Assistant Editor

    Midcredits score: 78th percentile of all films

  • The Great Beauty(2013)

    Assistant Editor

    Midcredits score: 96th percentile of all films

  • The Face of Another (not in the MovieCove catalog yet)(2013)

    Assistant Editor

  • The Human Cargo (not in the MovieCove catalog yet)(2012)

    Assistant Editor

  • ITALIANI ALL'OPERA! - GLI ITALIANI IN ARGENTINA (not in the MovieCove catalog yet)(2012)

    Editor

  • THE GOLDEN TRACK (not in the MovieCove catalog yet)

    Editor

Career shape

A full career of 18 titles, 17 of them dated from 2012 to 2026.

Biggest box office

Freaks Out (2021)

$3.3M worldwide

Highest rated

Freaks Out (2021)

Midcredits 82nd

Most popular right now

The Forbidden City (2025)

By role

only this rolewith another role
Editing10 of 18: 10 only editing, 0 with another roleOther crew8 of 18: 8 only other crew, 0 with another role · typical Midcredits score82nd

By decade

2010s10 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Francesco Di Stefano's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 8; across a limited sample of 3 films with reception data, the typical film sits in the 77th percentile for acclaim.

Acclaim · how much people like their films

77thpercentile
Typical film, the median of 3

Approval · how many liked their films

72ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

90thpercentile
Typical film, the median of 3

Midcredits score across 10 titles, by percentile

  • 75th and up6
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 10 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed1

Most loved · editor

Freaks Out (2021)

Midcredits 82nd · 70% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Francesco Di Stefano work with?

People who share at least 2 of Francesco Di Stefano's MovieCove titles, grouped by what they did on them; Gabriele Mainetti shares the most, 2.

Directors

Actors

Composers

Producers