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What are Aaron Mathes' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 2

Grounded 3 · Stylized 0 · Heightened 0

Gentle 1 · Charged 1 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

Resolved 1 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
5
Warm
3
Tense
3
Contemplative
2
Joyful
2
Other
4

How their films end

  • Bittersweet3
  • Ambiguous3
  • Cyclical1
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aaron Mathes' films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on discovery+ (3).

Subscription and free streaming for Aaron Mathes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • Jay & Pamela(2025)

    Show Editor

    Midcredits score: 40th percentile of all shows
  • The Coach Vick Experience(2025)

    Show Editor

    Midcredits score: 31st percentile of all shows (provisional, few ratings)
  • Dog Warriors(2024)

    Editor

    Midcredits score: 79th percentile of all films (provisional, few ratings)
  • God & Country(2024)

    Editor

    Midcredits score: 68th percentile of all films
  • Sin City Tow(2024)

    Show Editor

    Midcredits score: 24th percentile of all shows
  • Below Deck Adventure(2022)

    Show Editor

    Midcredits score: 36th percentile of all shows
  • The Happys(2016)

    Editor

    Midcredits score: 36th percentile of all films
  • Tiny Luxury(2015)

    Show Editor

    Midcredits score: 71st percentile of all shows (provisional, few ratings)

Career shape

Across their 8 MovieCove titles from 2015 to 2025.

By role

only this rolewith another role
Editing8 of 8: 8 only editing, 0 with another role · typical Midcredits score38th

By decade

2010s2 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Aaron Mathes' films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 3

Approval · how many liked their films

56thpercentile
Typical film, the median of 3

Reach · how many have seen their films

23rdpercentile
Typical film, the median of 3

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aaron Mathes work with?

People who share at least 2 of Aaron Mathes' MovieCove titles, grouped by what they did on them; Miguel Siqueiros shares the most, 2.

Editors

Producers