Ines Hofmann Kanna
Ines Hofmann Kanna has been producing and directing film and television projects for over twenty years. She began her career at Boston's PBS station, WGBH, where she worked for ten years, most notably on the hit series Antiques Roadshow. As a freelancer, she continued to produce and direct TV series for cable and public television and filmed in places as close as Iowa and as far as Yemen and Saudi Arabia. She worked on her own independent projects and made educational films for non-profit organizations as well. Ines Hofmann Kanna also worked as Supervising Producer for ITVS, guiding more than thirty filmmakers from production to broadcast, and acted as Series Producer on two ITVS documentary series, Global Voices and Women Of The World. For the past few years, she has been focusing on consulting and producing feature documentaries with independent filmmakers. Ines Hofmann Kanna received a master's degree in Mass Communications from Emerson College in Boston, MA. She was born and raised in East Germany and lives in Oakland, CA.
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Biography from IMDb.
- Producer
- 6 on MovieCove · 10 credits in all
What are Ines Hofmann Kanna's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 0 · Serious 2 · Dark 4
Grounded 5 · Stylized 1 · Heightened 0
A split, not a type: Gentle 1 · Charged 2 · Intense 3
Steady 2 · Shifting 3 · Whiplash 1
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 4 · Even-paced 2 · Relentless 0
A split, not a type: Casual 1 · Engaged 2 · Full focus 3
Easy watch 1 · Affecting 3 · Heavy 2
Resolved 1 · Open-ended 3 · Ambiguous 2
Moods and endings
- Bittersweet3
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ines Hofmann Kanna's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on HBO Max (2).
Subscription and free streaming for Ines Hofmann Kanna's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 6 with a MovieCove page.
Midcredits score: 81st percentile of all films
DRIVER (not in the MovieCove catalog yet)(2024)
Finding the Money (not in the MovieCove catalog yet)(2024)
Midcredits score: 51st percentile of all films
Enemies of the State(2020)
Midcredits score: 42nd percentile of all films
Reality Winner(2021)
Midcredits score: 66th percentile of all films
Landfall (not in the MovieCove catalog yet)(2020)
National Bird(2016)
Midcredits score: 79th percentile of all films
I Will Be Murdered(2013)
Midcredits score: 84th percentile of all films
(un)veiled (not in the MovieCove catalog yet)(2007)
Career shape
A full career of 9 titles from 2007 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ines Hofmann Kanna's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
2 of their 6 titles are Cult Classics.
- Cult Classic2
- Crowd Pleaser2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ines Hofmann Kanna work with?
People who share at least 2 of Ines Hofmann Kanna's MovieCove titles, grouped by what they did on them; Sonia Kennebeck shares the most, 3.
Directors
- Sonia KennebeckShared titles: Reality Winner (2021), Enemies of the State (2020), National Bird (2016)See all 3 shared titles with Sonia Kennebeck
- Cecilia AldarondoShared titles: Dear Ms.: A Revolution in Print (2025), You Were My First Boyfriend (2023)See all 2 shared titles with Cecilia Aldarondo
Composers, cinematographers and editors
- Maxine GoedickeShared titles: Reality Winner (2021), Enemies of the State (2020), National Bird (2016)See all 3 shared titles with Maxine Goedicke
- Torsten LappShared titles: Reality Winner (2021), Enemies of the State (2020), National Bird (2016)See all 3 shared titles with Torsten Lapp
- Angélica NegrónShared titles: Dear Ms.: A Revolution in Print (2025), You Were My First Boyfriend (2023)See all 2 shared titles with Angélica Negrón
- Insa RudolphShared titles: Enemies of the State (2020), National Bird (2016)See all 2 shared titles with Insa Rudolph
Producers
- Anna KleinShared titles: Dear Ms.: A Revolution in Print (2025), You Were My First Boyfriend (2023)See all 2 shared titles with Anna Klein
- Lisa HellerShared titles: Dear Ms.: A Revolution in Print (2025), You Were My First Boyfriend (2023)See all 2 shared titles with Lisa Heller
- Nancy AbrahamShared titles: Dear Ms.: A Revolution in Print (2025), You Were My First Boyfriend (2023)See all 2 shared titles with Nancy Abraham
- Sara RodriguezShared titles: Dear Ms.: A Revolution in Print (2025), You Were My First Boyfriend (2023)See all 2 shared titles with Sara Rodriguez
