
Daniel Rojas
Composer · Heredia, Costa Rica
- Heredia, Costa Rica
- Composer
- 15 on MovieCove · 16 credits in all
What are Daniel Rojas' films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 7 · Serious 1 · Dark 0
A split, not a type: Grounded 4 · Stylized 3 · Heightened 1
Gentle 6 · Charged 2 · Intense 0
Steady 6 · Shifting 1 · Whiplash 1
Straight-faced 2 · Some laughs 3 · Funny 3
Slow burn 4 · Even-paced 4 · Relentless 0
Casual 6 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 2 · Heavy 0
Resolved 7 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy6
- Bittersweet4
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel Rojas' films?
As of October 24, 2026, 12 of their 15 MovieCove titles stream on a subscription or free service, most on Netflix (6).
- discovery+
Subscription and free streaming for Daniel Rojas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 15 with a MovieCove page.

Best of the Best(2026)
Midcredits score: 31st percentile of all films
Midcredits score: 36th percentile of all films
Midcredits score: 22nd percentile of all films
Fly Hard(2024)
Midcredits score: 48th percentile of all films
Who Invited Charlie?(2022)
Midcredits score: 35th percentile of all films
Minions & More 1(2022)
Midcredits score: 66th percentile of all films
Midcredits score: 42nd percentile of all films
Midcredits score: 26th percentile of all films
M.O.D.O.K.(2021)
Midcredits score: 24th percentile of all shows
Hit-Monkey(2021)
Midcredits score: 86th percentile of all shows
The Jump (not in the MovieCove catalog yet)(2018)

Rooted in Peace(2016)
Midcredits score: 55th percentile of all films (provisional, few ratings)
The Demon Files(2015)
Midcredits score: 22nd percentile of all shows
Starcrossed(2014)
Midcredits score: 5th percentile of all films
Midcredits score: 71st percentile of all films
Little People, Big World(2006)
Midcredits score: 26th percentile of all shows
Career shape
A full career of 9 titles from 2013 to 2025.

Biggest box office
Barbie and Stacie to the Rescue (2024)

Highest rated
Hit-Monkey (2021)

Most popular right now
Little People, Big World (2006)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Daniel Rojas' films land?
Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 11; across their 8 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th7
- Below 25th4
Shape of the crowd
5 of their 15 titles are Mixed.
- Divisive3
- Cult Classic4
- Crowd Pleaser3
- Mixed5
Reviewers score the sound and music 66/100 in their films, across 5 reviewed titles; fans 77, detractors 43. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Daniel Rojas' work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Daniel Rojas work with?
People who share at least 2 of Daniel Rojas' MovieCove titles, grouped by what they did on them; America Young shares the most, 2.
Actors
- America YoungShared titles: Barbie and Stacie to the Rescue (2024), Barbie: Big City, Big Dreams (2021)See all 2 shared titles with America Young

- Cassandra Lee MorrisShared titles: Barbie and Stacie to the Rescue (2024), Barbie: Big City, Big Dreams (2021)See all 2 shared titles with Cassandra Lee Morris

- Greg ChunShared titles: Barbie and Stacie to the Rescue (2024), Barbie: Big City, Big Dreams (2021)See all 2 shared titles with Greg Chun

- Kirsten DayShared titles: Barbie and Stacie to the Rescue (2024), Barbie: Big City, Big Dreams (2021)See all 2 shared titles with Kirsten Day

Composers
- Jack GravinaShared titles: The Demon Files (2015), Little People, Big World (2006)See all 2 shared titles with Jack Gravina

Producers
- Christopher KeenanShared titles: Barbie and Stacie to the Rescue (2024), Barbie: Big City, Big Dreams (2021)See all 2 shared titles with Christopher Keenan

- Christopher MeledandriShared titles: Fly Hard (2024), Minions & More 1 (2022)See all 2 shared titles with Christopher Meledandri

- Frederic SoulieShared titles: Barbie and Stacie to the Rescue (2024), Barbie: Big City, Big Dreams (2021)See all 2 shared titles with Frederic Soulie
- Brett OsmonShared titles: Hit-Monkey (2021), M.O.D.O.K. (2021)See all 2 shared titles with Brett Osmon
