- Writer and director
- 3 on MovieCove · 7 credits in all
Known for
What are Antonio Luco's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Society.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
A split, not a type: Casual 1 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Antonio Luco's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Antonio Luco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 3 with a MovieCove page.

Erratics(2026)
Midcredits score: 2nd percentile of all films (provisional, few ratings)
Oasis (not in the MovieCove catalog yet)(2024)

The Hunteress(2023)
Midcredits score: 24th percentile of all films (provisional, few ratings)
God (not in the MovieCove catalog yet)(2019)

Beaverland(2014)
Midcredits score: 39th percentile of all films (provisional, few ratings)
Propaganda (not in the MovieCove catalog yet)(2014)

Manuel de Ribera (not in the MovieCove catalog yet)(2010)
Career shape
A full career of 7 titles from 2010 to 2026.
How do Antonio Luco's films land?
Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 25th percentile for acclaim.
- 25th to 49th1
- Below 25th2
Shape of the crowd
1 of their 3 titles is Universally Panned.
- Universally Panned1
- Divisive1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Antonio Luco work with?
People who share at least 2 of Antonio Luco's MovieCove titles, grouped by what they did on them; Valeria Hofmann shares the most, 2.
Writers
- Valeria HofmannShared titles: Erratics (2026), The Hunteress (2023)See all 2 shared titles with Valeria Hofmann
Editors
- Camila MercadalShared titles: The Hunteress (2023), Beaverland (2014)See all 2 shared titles with Camila Mercadal
Producers
- Francisca BarrazaShared titles: The Hunteress (2023), Beaverland (2014)See all 2 shared titles with Francisca Barraza