Alex Thompson

What are Alex Thompson's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alex Thompson's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

• AMC+2 titles, browse their movies on this service
  • Ghostlight (2024) · director, producer
  • Rounding (2022) · director, writer, producer
• Fandor2 titles, browse their movies on this service
  • Saint Frances (2019) · director, producer, editor
  • Our Father (2021) · producer
• Prime Video2 titles, browse their movies on this service
  • Our Father (2021) · producer
  • Rounding (2022) · director, writer, producer
• The Roku Channel2 titles, browse their movies on this service
  • Our Father (2021) · producer · free
  • Rounding (2022) · director, writer, producer · free
• Tubi2 titles, browse their movies on this service
  • Our Father (2021) · producer · free
  • Rounding (2022) · director, writer, producer · free
• Hulu1 title, browse their movies on this service
  • Ghostlight (2024) · director, producer
• Shudder1 title, browse their movies on this service
  • Rounding (2022) · director, writer, producer

Subscription and free streaming for Alex Thompson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 5 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  Mouse(2026)

  Director · Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Don't Come Home Before Midnight (not in the MovieCove catalog yet)(2025)

  Assistant Director · Editor · Producer
• 

  Ghostlight(2024)

  Director · Producer

  Midcredits score: 95th percentile of all films95^th
• 

  Rounding(2022)

  Director · Producer · Writer

  Midcredits score: 21st percentile of all films21^st
• 

  Our Father(2021)

  Producer

  Midcredits score: 24th percentile of all films24^th
• 

  Saint Frances(2019)

  Director · Editor · Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Irene & Marie (not in the MovieCove catalog yet)(2015)

  Director · Writer
• The Steel Harp (not in the MovieCove catalog yet)

  Director · Producer

Career shape

A full career of 8 titles, 7 of them dated from 2015 to 2026.

Biggest box office

Ghostlight (2024)

$781K worldwide

Highest rated

Ghostlight (2024)

Midcredits 95^th

Awards

3 major nominations and no wins, 2021–2026.

1. 2026
   • Berlinale award, nominated · Best Feature Film
2. 2025
   • Independent Spirit Award, nominated
3. 2021
   • Independent Spirit Award, nominated

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Alex Thompson's films land?

Their typical MovieCove film has a Midcredits score in the 80^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 77^th percentile for acclaim.

Shape of the crowd

3 of their 5 titles are Mixed.

113

• Universally Loved1
• Crowd Pleaser1
• Mixed3

Most divisive · director, producer

Mouse (2026)

75^th percentile spread · 13% rated it 4 or lower

Most loved · director, producer

Ghostlight (2024)

Midcredits 95^th · 83% liked

Reviewers score the atmosphere 67/100 and the pacing 42/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alex Thompson work with?

People who share at least 2 of Alex Thompson's MovieCove titles, grouped by what they did on them; Ian Keiser shares the most, 5.