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Alessandro Penazzi

Alessandro Penazzi

Producer

Works as
Producer
Titles
16 on MovieCove · 19 credits in all
TMDB popularity, last 65 days to Oct 28Down 28% in 30 days

What are Alessandro Penazzi's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 4 · Dark 6

Grounded 12 · Stylized 4 · Heightened 0

Gentle 3 · Charged 11 · Intense 2

Steady 8 · Shifting 7 · Whiplash 1

A split, not a type: Straight-faced 11 · Some laughs 3 · Funny 2

A split, not a type: Slow burn 9 · Even-paced 5 · Relentless 2

A split, not a type: Casual 10 · Engaged 5 · Full focus 1

A split, not a type: Resolved 9 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Melancholic
7
Dread
3
Hopeful
5
Absurd
3
Other
14

How their films end · 3 with a twist

  • Happy2
  • Bittersweet11
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alessandro Penazzi's films?

As of October 24, 2026, 12 of their 16 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Alessandro Penazzi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 16 with a MovieCove page.

  • The Girl in the River(2026)

    Executive Producer

    Midcredits score: 10th percentile of all films
  • 100 Dates in Dallas(2026)

    Executive Producer

    Midcredits score: 6th percentile of all films (provisional, few ratings)
  • Midcredits score: 19th percentile of all films
  • The Deputy(2026)

    Producer

    Midcredits score: 26th percentile of all films
  • Cutman (not in the MovieCove catalog yet)(2025)

    Producer

  • The Ritual(2025)

    Line Producer

    Midcredits score: 10th percentile of all films
  • Midcredits score: 74th percentile of all films (provisional, few ratings)
  • Finding Faith(2024)

    Line Producer

    Midcredits score: 82nd percentile of all films
  • Sisters on the Run(2023)

    Line Producer

    Midcredits score: 32nd percentile of all films
  • Don Q(2023)

    Producer

    Midcredits score: 16th percentile of all films
  • The Minute You Wake up Dead(2022)

    Line Producer

    Midcredits score: 24th percentile of all films
  • The Second Sun(2018)

    Producer

    Midcredits score: 35th percentile of all films (provisional, few ratings)
  • An Imperfect Murder(2017)

    Executive Producer

    Midcredits score: 5th percentile of all films
  • Blind(2016)

    Executive Producer

    Midcredits score: 38th percentile of all films
  • Lost in Florence(2017)

    Producer

    Midcredits score: 19th percentile of all films
  • America, Here We Come! (not in the MovieCove catalog yet)(2014)

    Production Manager

  • A Little Game(2014)

    Co-Producer

    Midcredits score: 53rd percentile of all films
  • Eurotrapped(2013)

    Producer

    Midcredits score: 3rd percentile of all films
  • Socks and Cakes (not in the MovieCove catalog yet)(2010)

    Cinematographer

Career shape

A full career of 14 titles from 2010 to 2026.

By role

only this rolewith another role
Producing12 of 14: 12 only producing, 0 with another role · typical Midcredits score24thCinematography1 of 14: 1 only cinematography, 0 with another roleOther crew1 of 14: 1 only other crew, 0 with another role

By decade

2010s7 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alessandro Penazzi's films land?

Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 22nd percentile for acclaim.

Acclaim · how much people like their films

22ndpercentile
Typical film, the median of 16

Approval · how many liked their films

23rdpercentile
Typical film, the median of 16

Reach · how many have seen their films

60thpercentile
Typical film, the median of 16

Midcredits score across 16 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th9

Shape of the crowd

10 of their 16 titles are Mixed.

  • Universally Panned1
  • Divisive2
  • Cult Classic2
  • Crowd Pleaser1
  • Mixed10

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alessandro Penazzi work with?

People who share at least 2 of Alessandro Penazzi's MovieCove titles, grouped by what they did on them; Andrew Stevens shares the most, 9.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers