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Cesar Diaz

Cesar Diaz

Editor, writer, director and producer · Born September 20, 1978 (48) · Guatemala City, Guatemala

César Díaz (born 20 September 1978) is a Belgian-Guatemalan film director, screenwriter and editor. Born and raised in Guatemala City, Díaz moved to Belgium in 1998 as a student at the Free University of Brussels. After developing an interest in filmmaking, he enrolled at the La Fémis film school in Paris and studied screenwriting. Since the mid-2000s, Díaz has worked on a number of documentary films, before making his feature-length debut in 2019 with Our Mothers. The film premiered at the 2019 Cannes Film Festival, where Díaz won the Caméra d'Or. Our Mothers received the André Cavens Award for Best Film given by the Belgian Film Critics Association (UCC) and was selected as the Belgian entry for the Best International Feature Film at the 92nd Academy Awards. It received six nominations at the 10th Magritte Awards, including Best Film and Best Director for Díaz, winning Best First Feature Film.

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Biography from TMDB.

Born
September 20, 1978 (48)
From
Guatemala City, Guatemala
Works as
Editor, writer, director and producer
Titles
8 on MovieCove · 14 credits in all
TMDB popularity, last 38 days to Oct 27Up 63% in 30 days

What are Cesar Diaz's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Power.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 7

Grounded 5 · Stylized 2 · Heightened 0

Gentle 0 · Charged 4 · Intense 3

Steady 5 · Shifting 2 · Whiplash 0

Straight-faced 7 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 4 · Relentless 0

Casual 1 · Engaged 5 · Full focus 1

Easy watch 0 · Affecting 1 · Heavy 6

Resolved 3 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
6
Dread
3
Contemplative
2
Cold
1
Other
2

How their films end · 1 with a twist

  • Bittersweet3
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Cesar Diaz's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Cesar Diaz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 8 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Nosotros(2026)

    Editor

    Midcredits score: 56th percentile of all films (provisional, few ratings)
  • Mexico 86 (not in the MovieCove catalog yet)(2025)

    Director · Screenplay

  • I Love You, and It Hurts(2023)

    Show 13 episodes · Actor

    Midcredits score: 21st percentile of all shows
  • 1991(2021)

    Editor · Screenplay

    Midcredits score: 41st percentile of all films (provisional, few ratings)
  • Cadejo Blanco(2021)

    Editor · Producer

    Midcredits score: 71st percentile of all films
  • Chaco (not in the MovieCove catalog yet)(2020)

    Editor · Writer

  • Our Mothers(2019)

    Director · Writer

    Midcredits score: 59th percentile of all films
  • When They Left (not in the MovieCove catalog yet)(2019)

    Editor

  • Tremors(2019)

    Editor

    Midcredits score: 67th percentile of all films
  • Diciembres(2018)

    Editor

    Midcredits score: 55th percentile of all films (provisional, few ratings)
  • At Home (not in the MovieCove catalog yet)(2017)

    Editor · Producer · Production Director

  • Ixcanul(2015)

    Editor

    Midcredits score: 88th percentile of all films
  • Pourquoi les hommes brûlent-ils? (not in the MovieCove catalog yet)(2010)

    Director · Writer

  • Fidelidad (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 12 titles, 11 of them dated from 2010 to 2026.

By role

only this rolewith another role
Acting1 of 12: 1 only acting, 0 with another roleDirecting4 of 12: 1 only directing, 3 with another roleWriting5 of 12: 1 only writing, 4 with another roleProducing1 of 12: 0 only producing, 1 with another roleEditing6 of 12: 4 only editing, 2 with another roleOther crew1 of 12: 0 only other crew, 1 with another role

12 titles, 5 with more than one role — editing and writing overlap on 1 of them.

By decade

2010s6 · crew2020s5 · 1 acting · 4 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Cesar Diaz's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 7

Approval · how many liked their films

65thpercentile
Typical film, the median of 7

Reach · how many have seen their films

48thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

4 of their 8 titles are Crowd Pleasers.

  • Cult Classic1
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed2

Reviewers score the pacing 50/100 in their films, across 4 reviewed titles; fans 58, detractors 36. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Cesar Diaz work with?

People who share at least 2 of Cesar Diaz's MovieCove titles, grouped by what they did on them; Jayro Bustamante shares the most, 3.

Directors

Actors

Composers and cinematographers

Producers