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What are Michael Koshkin's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Society and Self.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 1

Grounded 3 · Stylized 0 · Heightened 0

Gentle 3 · Charged 0 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
8
Contemplative
7
Tense
1
Dread
1
Warm
2
Other
6

How their films end

  • Happy1
  • Bittersweet3
  • Ambiguous5
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Koshkin's films?

As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Prime Video (3).

Subscription and free streaming for Michael Koshkin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Allen Iv3rson(2025)

    Show Cinematographer

    Midcredits score: 43rd percentile of all shows
  • The Home Team: NY Jets(2025)

    Show Cinematographer

    Midcredits score: 25th percentile of all shows (provisional, few ratings)
  • Iceman(2023)

    Cinematographer

    Midcredits score: 67th percentile of all films (provisional, few ratings)
  • Rather(2023)

    Cinematographer

    Midcredits score: 80th percentile of all films
  • Dusty & Stones(2022)

    Cinematographer

    Midcredits score: 94th percentile of all films (provisional, few ratings)
  • Midcredits score: 40th percentile of all shows
  • Rooms We Love(2022)

    Show Cinematographer

  • Deadliest Mums & Dads(2021)

    Show Cinematographer

    Midcredits score: 38th percentile of all shows
  • I Love a Mama's Boy(2020)

    Show Cinematographer

    Midcredits score: 8th percentile of all shows
  • The Cars That Made the World(2020)

    Show Cinematographer

    Midcredits score: 75th percentile of all shows

Career shape

Across their 10 MovieCove titles from 2020 to 2025.

By role

only this rolewith another role
Cinematography10 of 10: 10 only cinematography, 0 with another role · typical Midcredits score43rd

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Michael Koshkin's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 76th percentile for acclaim.

Acclaim · how much people like their films

76thpercentile
Typical film, the median of 3

Approval · how many liked their films

82ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

14thpercentile
Typical film, the median of 3

Midcredits score across 9 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th4
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michael Koshkin work with?

People who share at least 2 of Michael Koshkin's MovieCove titles, grouped by what they did on them; One9 shares the most, 3.

Directors

Producers