Takeshi Endô
- Producer
- 4 on MovieCove
What are Takeshi Endô's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 0 · Dark 3
Grounded 4 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 4 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 3
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Takeshi Endô's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Takeshi Endô's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Tokyo Bordello(1987)
Midcredits score: 52nd percentile of all films
Oar(1985)
Midcredits score: 74th percentile of all films
Kita no hotaru(1984)
Midcredits score: 57th percentile of all films
Onimasa(1982)
Midcredits score: 73rd percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1982 to 1987.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Takeshi Endô's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 50th to 74th4
Shape of the crowd
None of their 4 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Takeshi Endô work with?
People who share at least 2 of Takeshi Endô's MovieCove titles, grouped by what they did on them; Hideo Gosha shares the most, 4.
Directors
- Hideo GoshaShared titles: Tokyo Bordello (1987), Oar (1985), Kita no hotaru (1984), Onimasa (1982)See all 4 shared titles with Hideo Gosha
Writers
- Kôji TakadaShared titles: Oar (1985), Kita no hotaru (1984), Onimasa (1982)See all 3 shared titles with Kôji Takada
- Tomiko MiyaoShared titles: Oar (1985), Onimasa (1982)See all 2 shared titles with Tomiko Miyao
Actors
- Mikio NaritaShared titles: Oar (1985), Kita no hotaru (1984), Onimasa (1982)See all 3 shared titles with Mikio Narita
- Tonpei HidariShared titles: Tokyo Bordello (1987), Oar (1985)See all 2 shared titles with Tonpei Hidari
- Yûko NatoriShared titles: Tokyo Bordello (1987), Oar (1985)See all 2 shared titles with Yûko Natori
- Mari NatsukiShared titles: Kita no hotaru (1984), Onimasa (1982)See all 2 shared titles with Mari Natsuki
Composers, cinematographers and editors
- Fujio MoritaShared titles: Tokyo Bordello (1987), Oar (1985), Kita no hotaru (1984), Onimasa (1982)See all 4 shared titles with Fujio Morita
- Isamu IchidaShared titles: Tokyo Bordello (1987), Oar (1985), Kita no hotaru (1984), Onimasa (1982)See all 4 shared titles with Isamu Ichida
- Masaru SatōShared titles: Tokyo Bordello (1987), Oar (1985), Kita no hotaru (1984)See all 3 shared titles with Masaru Satō
Producers
- Gorô KusakabeShared titles: Tokyo Bordello (1987), Oar (1985), Onimasa (1982)See all 3 shared titles with Gorô Kusakabe
- Masayuki SatôShared titles: Kita no hotaru (1984), Onimasa (1982)See all 2 shared titles with Masayuki Satô