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What are Jacqueline E. Ingram's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 1 · Dark 2

Grounded 6 · Stylized 0 · Heightened 0

Gentle 3 · Charged 3 · Intense 0

Steady 3 · Shifting 3 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 2

Slow burn 6 · Even-paced 0 · Relentless 0

Casual 5 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 4 · Affecting 1 · Heavy 1

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Absurd
4
Contemplative
2
Tense
2
Bittersweet
3
Other
4

How their films end

  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jacqueline E. Ingram's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Jacqueline E. Ingram's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

  • Come as You Are(2019)

    Producer

    Midcredits score: 83rd percentile of all films
  • Once Upon a River(2019)

    Producer

    Midcredits score: 47th percentile of all films
  • The Long Dumb Road(2018)

    Producer

    Midcredits score: 43rd percentile of all films
  • Chasing the Blues(2017)

    Producer

    Midcredits score: 64th percentile of all films
  • Operator(2016)

    Producer

    Midcredits score: 47th percentile of all films
  • Bloomin Mud Shuffle(2015)

    Producer

    Midcredits score: 39th percentile of all films

Career shape

Across their 6 MovieCove titles from 2015 to 2019.

By role

only this rolewith another role
Producing6 of 6: 6 only producing, 0 with another role · typical Midcredits score47th

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jacqueline E. Ingram's films land?

Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 6

Approval · how many liked their films

45thpercentile
Typical film, the median of 6

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th4

Shape of the crowd

2 of their 6 titles are Mixed.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jacqueline E. Ingram work with?

People who share at least 2 of Jacqueline E. Ingram's MovieCove titles, grouped by what they did on them; Kelly Aisthorpe Waller shares the most, 3.

Actors

Composers

Producers