
Ansel Faraj
Cinematographer, director, editor, producer and writer
- Cinematographer, director, editor, producer and writer
- 3 on MovieCove
What are Ansel Faraj's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 0 · Dark 2
Grounded 1 · Stylized 1 · Heightened 1
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ansel Faraj's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Ansel Faraj's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Midcredits score: 99th percentile of all films
Loon Lake(2019)
Midcredits score: 23rd percentile of all films
Midcredits score: 26th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2015 to 2021.
How do Ansel Faraj's films land?
Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 18th percentile for acclaim.
- 75th and up1
- 25th to 49th1
- Below 25th1
Shape of the crowd
1 of their 3 titles is Universally Loved.
- Universally Loved1
- Divisive1
- Mixed1
Reviewers score the cinematography 52/100 in their films, across 3 reviewed titles; fans 56, detractors 28. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ansel Faraj work with?
People who share at least 2 of Ansel Faraj's MovieCove titles, grouped by what they did on them; David Selby shares the most, 2.
Actors
- David SelbyShared titles: Dark Shadows and Beyond - The Jonathan Frid Story (2021), Loon Lake (2019)See all 2 shared titles with David Selby

- Kathryn Leigh ScottShared titles: Dark Shadows and Beyond - The Jonathan Frid Story (2021), Loon Lake (2019)See all 2 shared titles with Kathryn Leigh Scott

- Kelly Erin DeckerShared titles: Loon Lake (2019), The Last Case of August T. Harrison (2015)See all 2 shared titles with Kelly Erin Decker

- Nathan WilsonShared titles: Loon Lake (2019), The Last Case of August T. Harrison (2015)See all 2 shared titles with Nathan Wilson

Composers
- Bill WandelShared titles: Loon Lake (2019), The Last Case of August T. Harrison (2015)See all 2 shared titles with Bill Wandel
