Anna Meredith
Anna Meredith is a composer, producer and performer of both acoustic and electronic music. Her sound is frequently described as 'uncategorisable' and 'genre-defying' and straddles the different worlds of contemporary classical, art pop, electronica and experimental rock - or as The Guardian described it "majestic bangers". Her music has been performed everywhere from the BBC Last Night of the Proms to flashmob body-percussion performances in the M6 services, PRADA & Fendi fashion campaigns, numerous films, installations and documentaries, pop festivals, clubs and classical concert halls worldwide and broadcast on Radio 1, 2, 3, 4 & 6. Her debut album, Varmints was released in March 2016 on Moshi Moshi/PIAS to huge critical acclaim with numerous 4 and 5 star reviews from press and media around the World including Pitchfork's coveted Best New Music. Varmints was Loud & Quiet's Album of the Year 2016 and won the 2016 Scottish Album of the Year (SAY) Award. She is published by a new partnership between Warp Publishing and Faber Music Publishing, and is one of the first Somerset House Studios residents. Much to Anna's surprise she was voted Number One in The List's Hot100 (of Cultural Contributors to 2016).
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Biography from IMDb.
- Composer
- 7 on MovieCove
What are Anna Meredith's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 5
Light 2 · Serious 0 · Dark 4
A split, not a type: Grounded 3 · Stylized 1 · Heightened 2
Gentle 0 · Charged 2 · Intense 4
Steady 2 · Shifting 2 · Whiplash 2
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 2
Slow burn 2 · Even-paced 3 · Relentless 1
Casual 1 · Engaged 5 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 4
Resolved 4 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet5
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anna Meredith's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Anna Meredith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 7 with a MovieCove page.
Midcredits score: 69th percentile of all films
Wicker(2026)
Midcredits score: 85th percentile of all films
The End We Start From(2023)
Midcredits score: 42nd percentile of all films
Tuesday(2023)
Midcredits score: 60th percentile of all films
Help(2021)
Midcredits score: 96th percentile of all films
Living with Yourself(2019)
Midcredits score: 54th percentile of all shows
Eighth Grade(2018)
Midcredits score: 90th percentile of all films
Career shape
Across their 7 MovieCove titles from 2018 to 2026.
How do Anna Meredith's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th1
Shape of the crowd
4 of their 7 titles are Mixed.
- Universally Loved1
- Crowd Pleaser2
- Mixed4
Reviewers score the sound and music 66/100 in their films, across 5 reviewed titles; fans 71, detractors 40. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Anna Meredith's work okay for kids?
Across up to 5 MovieCove titles with content scores, frightening / intense runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Anna Meredith work with?
People who share at least 2 of Anna Meredith's MovieCove titles, grouped by what they did on them; Jodie Comer shares the most, 2.
Actors
- Jodie ComerShared titles: The End We Start From (2023), Help (2021)See all 2 shared titles with Jodie Comer
Editors
- Arttu SalmiShared titles: The End We Start From (2023), Tuesday (2023)See all 2 shared titles with Arttu Salmi
- Jennifer LillyShared titles: Living with Yourself (2019), Eighth Grade (2018)See all 2 shared titles with Jennifer Lilly
Producers
- Eva YatesShared titles: The End We Start From (2023), Tuesday (2023)See all 2 shared titles with Eva Yates
