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Carlos Espinoza

Editor

Works as
Editor
Titles
7 on MovieCove · 12 credits in all

What are Carlos Espinoza's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 1 · Dark 0

Grounded 5 · Stylized 0 · Heightened 0

Gentle 3 · Charged 2 · Intense 0

Steady 5 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 2 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 1

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
5
Warm
3
Tense
2
Melancholic
1
Triumphant
1
Other
4

How their films end

  • Happy2
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carlos Espinoza's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Carlos Espinoza's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 7 with a MovieCove page.

  • Us (not in the MovieCove catalog yet)(2026)

    Editor

  • Goya(2022)

    Editor

    Midcredits score: 92nd percentile of all films
  • No One Will Miss Us(2024)

    Show 16 episodes · Editor · Lead Editor

    Midcredits score: 98th percentile of all shows
  • Midcredits score: 51st percentile of all films
  • Midcredits score: 41st percentile of all films (provisional, few ratings)
  • Tell Me About Yourself (not in the MovieCove catalog yet)(2022)

    Editor

  • Paty's Journey (not in the MovieCove catalog yet)(2021)

    Editor

  • Domingo(2020)

    Editor

    Midcredits score: 80th percentile of all films
  • The Wolves(2019)

    Editor

    Midcredits score: 88th percentile of all films
  • Meet Peter (not in the MovieCove catalog yet)(2016)

    Sound Designer

  • We Are Mari Pepa (not in the MovieCove catalog yet)(2013)

    Editor

  • La cebra(2011)

    Post Production Supervisor

    Midcredits score: 47th percentile of all films

Career shape

A full career of 8 titles from 2011 to 2026.

By role

only this rolewith another role
Editing6 of 8: 5 only editing, 1 with another roleOther crew3 of 8: 2 only other crew, 1 with another role

By decade

2010s3 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Carlos Espinoza's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 76th percentile for acclaim.

Acclaim · how much people like their films

76thpercentile
Typical film, the median of 5

Approval · how many liked their films

82ndpercentile
Typical film, the median of 5

Reach · how many have seen their films

46thpercentile
Typical film, the median of 5

Midcredits score across 7 titles, by percentile

  • 75th and up4
  • 50th to 74th1
  • 25th to 49th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carlos Espinoza work with?

People who share at least 2 of Carlos Espinoza's MovieCove titles, grouped by what they did on them; Kenji Kishi shares the most, 3.

Directors

Composers and editors

Producers