Alexandra Bentley
- Producer
- 6 on MovieCove
What are Alexandra Bentley's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 5
Light 1 · Serious 4 · Dark 1
A split, not a type: Grounded 4 · Stylized 2 · Heightened 0
Gentle 1 · Charged 3 · Intense 2
A split, not a type: Steady 3 · Shifting 2 · Whiplash 1
Straight-faced 4 · Some laughs 1 · Funny 1
Slow burn 2 · Even-paced 3 · Relentless 1
Casual 3 · Engaged 3 · Full focus 0
Easy watch 2 · Affecting 4 · Heavy 0
Resolved 3 · Open-ended 3 · Ambiguous 0
Moods and endings
- Bittersweet3
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alexandra Bentley's films?
As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Alexandra Bentley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.

Get Away(2024)
Midcredits score: 18th percentile of all films
Midcredits score: 15th percentile of all films
The Watcher in the Woods(2017)
Midcredits score: 13th percentile of all films
Indiscretion(2016)
Midcredits score: 15th percentile of all films
The Four Warriors(2015)
Midcredits score: 1st percentile of all films
The Last Showing(2014)
Midcredits score: 14th percentile of all films
Career shape
Across their 6 MovieCove titles from 2014 to 2024.
How do Alexandra Bentley's films land?
Their typical MovieCove film has a Midcredits score in the 15th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 20th percentile for acclaim.
- Below 25th6
Shape of the crowd
5 of their 6 titles are Mixed.
- Broadly Agreed1
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alexandra Bentley work with?
People who share at least 2 of Alexandra Bentley's MovieCove titles, grouped by what they did on them; Phil Hawkins shares the most, 2.
Directors
- Phil HawkinsShared titles: The Four Warriors (2015), The Last Showing (2014)See all 2 shared titles with Phil Hawkins

Composers and editors
- Paul Griffiths-DaviesShared titles: The Four Warriors (2015), The Last Showing (2014)See all 2 shared titles with Paul Griffiths-Davies
- Richard BodgersShared titles: The Four Warriors (2015), The Last Showing (2014)See all 2 shared titles with Richard Bodgers
Producers
- Jennifer HandorfShared titles: A Working Mom's Nightmare (2019), The Watcher in the Woods (2017)See all 2 shared titles with Jennifer Handorf

- J.D.Shared titles: The Four Warriors (2015), The Last Showing (2014)See all 2 shared titles with J.D.

