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Guy Avshalom

Guy Avshalom

Producer

Works as
Producer
Titles
7 on MovieCove · 8 credits in all
TMDB popularity, last 38 days to Oct 27Down 25% in 30 days

What are Guy Avshalom's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
33%
Morality
31%
Survival
19%
Self
7%
Ideas
6%
Society
4%

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 1 · Dark 2

Grounded 1 · Stylized 4 · Heightened 2

A split, not a type: Gentle 2 · Charged 0 · Intense 5

Steady 2 · Shifting 4 · Whiplash 1

Straight-faced 3 · Some laughs 4 · Funny 0

Slow burn 2 · Even-paced 3 · Relentless 2

Casual 3 · Engaged 3 · Full focus 1

A split, not a type: Easy watch 4 · Affecting 2 · Heavy 1

Resolved 6 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Thrilling
3
Hopeful
3
Romantic
2
Dread
3
Other
6

How their films end · 1 with a twist

  • Happy3
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Guy Avshalom's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Guy Avshalom's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 7 with a MovieCove page.

  • A Little Chaos(2014)

    Executive Producer

    Midcredits score: 59th percentile of all films
  • The Expendables 3(2014)

    Producer

    Midcredits score: 39th percentile of all films
  • Filth(2013)

    Producer

    Midcredits score: 80th percentile of all films
  • Olympus Has Fallen(2013)

    Producer

    Midcredits score: 57th percentile of all films
  • The Expendables 2(2012)

    Co-Producer

    Midcredits score: 61st percentile of all films
  • Salmon Fishing in the Yemen(2011)

    Executive Producer

    Midcredits score: 69th percentile of all films
  • Blitz(2011)

    Executive Producer

    Midcredits score: 45th percentile of all films
  • 152 Days (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 5 titles, 4 of them dated from 2011 to 2015.

By role

only this rolewith another role
Producing5 of 5: 5 only producing, 0 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Guy Avshalom's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 7

Approval · how many liked their films

63rdpercentile
Typical film, the median of 7

Reach · how many have seen their films

97thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th2

Shape of the crowd

None of their 7 titles divides audiences: 5 are Crowd Pleasers.

  • Crowd Pleaser5
  • Broadly Agreed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Guy Avshalom's work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles36–94 · median 80 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity7 titles10–62 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity7 titles34–91 · median 60 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles21–85 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles42–78 · median 64 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Guy Avshalom work with?

People who share at least 2 of Guy Avshalom's MovieCove titles, grouped by what they did on them; Zygi Kamasa shares the most, 7.

Writers

Actors

Composers

Producers