Hiroyuki Fujita
- Producer
- 13 on MovieCove · 16 credits in all
What are Hiroyuki Fujita's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 8
A split, not a type: Light 5 · Serious 3 · Dark 1
Grounded 0 · Stylized 2 · Heightened 7
Gentle 1 · Charged 5 · Intense 3
Steady 4 · Shifting 5 · Whiplash 0
Straight-faced 2 · Some laughs 6 · Funny 1
Slow burn 2 · Even-paced 5 · Relentless 2
Casual 1 · Engaged 7 · Full focus 1
A split, not a type: Easy watch 4 · Affecting 2 · Heavy 3
A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 2
Moods and endings
- Happy2
- Bittersweet5
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hiroyuki Fujita's films?
As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Crunchyroll (8).
- Crunchyroll
Subscription and free streaming for Hiroyuki Fujita's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 13 with a MovieCove page.
Midcredits score: 96th percentile of all films
Maboroshi(2023)
Midcredits score: 65th percentile of all films
Midcredits score: 86th percentile of all films
Gintama: The Final(2021)
Midcredits score: 99th percentile of all films
Stand by Me Doraemon 2(2020)
Midcredits score: 95th percentile of all films
Midcredits score: 97th percentile of all films
7 Days War(2019)
Midcredits score: 51st percentile of all films
NiNoKuni(2019)
Midcredits score: 49th percentile of all films
Midcredits score: 57th percentile of all films (provisional, few ratings)
The Wonderland(2019)
Midcredits score: 50th percentile of all films
My Hero Academia(2016)
Midcredits score: 93rd percentile of all shows
Kaze no Tayori (not in the MovieCove catalog yet)(2016)
Haikyuu!!(2014)
Midcredits score: 98th percentile of all shows
Let Us Introduce Ourselves JKT48 (not in the MovieCove catalog yet)(2013)
Attack on Titan(2013)
Midcredits score: 97th percentile of all shows
新人ナースの発情日記 (not in the MovieCove catalog yet)(2001)
Career shape
A full career of 14 titles from 2001 to 2023.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Hiroyuki Fujita's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up8
- 50th to 74th4
- 25th to 49th1
Shape of the crowd
7 of their 13 titles are Universally Loved.
- Universally Loved7
- Divisive1
- Crowd Pleaser2
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Hiroyuki Fujita's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Hiroyuki Fujita work with?
People who share at least 2 of Hiroyuki Fujita's MovieCove titles, grouped by what they did on them; Minami Ichikawa shares the most, 4.
Writers
- Akihiro HinoShared titles: Eiga Yôkai Gakuen Y: Neko wa Hero ni Nareru ka (2019), NiNoKuni (2019)See all 2 shared titles with Akihiro Hino
Actors
- Anne WatanabeShared titles: Totto-Chan: The Little Girl at the Window (2023), The Wonderland (2019)See all 2 shared titles with Anne Watanabe
- Satoshi HinoShared titles: Gintama: The Final (2021), Eiga Yôkai Gakuen Y: Neko wa Hero ni Nareru ka (2019)See all 2 shared titles with Satoshi Hino
- Tomokazu SekiShared titles: Stand by Me Doraemon 2 (2020), Eiga Yôkai Gakuen Y: Neko wa Hero ni Nareru ka (2019)See all 2 shared titles with Tomokazu Seki
- Toshiki MasudaShared titles: Eiga Yôkai Gakuen Y: Neko wa Hero ni Nareru ka (2019), My Hero Academia: Heroes Rising (2019)See all 2 shared titles with Toshiki Masuda
Editors
- Takeshi SeyamaShared titles: Gintama: The Final (2021), 7 Days War (2019)See all 2 shared titles with Takeshi Seyama
Producers
- Minami IchikawaShared titles: Totto-Chan: The Little Girl at the Window (2023), Stand by Me Doraemon 2 (2020), Eiga Yôkai Gakuen Y: Neko wa Hero ni Nareru ka (2019), My Hero Academia: Heroes Rising (2019)See all 4 shared titles with Minami Ichikawa
- Akihito WatanabeShared titles: Maboroshi (2023), Eiga Yôkai Gakuen Y: Neko wa Hero ni Nareru ka (2019)See all 2 shared titles with Akihito Watanabe
- Daijô KudôShared titles: Maboroshi (2023), 7 Days War (2019)See all 2 shared titles with Daijô Kudô
- Ken AmanoShared titles: Totto-Chan: The Little Girl at the Window (2023), Stand by Me Doraemon 2 (2020)See all 2 shared titles with Ken Amano