Audio Highs

What are Audio Highs' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Audio Highs' films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, on Crunchyroll (2).

• Crunchyroll2 titles
  • Gintama: The Final (2021) · composer
  • Daily Lives of High School Boys (2012) · composer

Subscription and free streaming for Audio Highs' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Gintama: The Final(2021)

  Composer

  Midcredits score: 99th percentile of all films99^th
• 

  Gintama the Movie: The Final Chapter - Be Forever Yorozuya(2013)

  Composer

  Midcredits score: 99th percentile of all films99^th
• 

  Daily Lives of High School Boys(2012)

  Show Composer

  Midcredits score: 85th percentile of all shows85^th
• 

  Gintama: The Movie(2010)

  Composer

  Midcredits score: 96th percentile of all films96^th

Career shape

Across a limited sample of 4 MovieCove titles from 2010 to 2021.

Biggest box office

Gintama: The Final (2021)

$17M worldwide

Highest rated

Gintama: The Final (2021)

Midcredits 99^th

Most popular right now

Daily Lives of High School Boys (2012)

How do Audio Highs' films land?

Their typical MovieCove film has a Midcredits score in the 99^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 98^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 2 are Universally Loved.

22

• Universally Loved2
• Crowd Pleaser2

Most loved · composer

Gintama: The Final (2021)

Midcredits 99^th · 90% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Audio Highs work with?

People who share at least 2 of Audio Highs' MovieCove titles, grouped by what they did on them; Tomokazu Sugita shares the most, 4.