Hirotaka Mori

What are Hirotaka Mori's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hirotaka Mori's films?

As of October 28, 2026, none of Hirotaka Mori's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Hirotaka Mori's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  DTC -Yukemuri Junjou Hen- from HiGH & LOW(2018)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  High & Low: The Movie 3 - Final Mission(2017)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  Mr. Long(2017)

  Producer

  Midcredits score: 86th percentile of all films86^th
• 

  High & Low: The Red Rain(2016)

  Producer

  Midcredits score: 64th percentile of all films64^th

Career shape

Across a limited sample of 4 MovieCove titles from 2016 to 2018.

Biggest box office

High & Low: The Red Rain (2016)

$9.9M worldwide

Highest rated

High & Low: The Movie 3 - Final Mission (2017)

Midcredits 88^th

How do Hirotaka Mori's films land?

Their typical MovieCove film has a Midcredits score in the 78^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 78^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

22

• Crowd Pleaser2
• Mixed2

Most divisive · producer

High & Low: The Red Rain (2016)

58^th percentile spread · 12% rated it 4 or lower

Most loved · producer

High & Low: The Movie 3 - Final Mission (2017)

Midcredits 88^th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hirotaka Mori work with?

People who share at least 2 of Hirotaka Mori's MovieCove titles, grouped by what they did on them; Kei Watanabe shares the most, 3.