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Rula Nasser

Rula Nasser

Producer and writer

Rula Nasser an active Jordanian - Canadian film producer, her involvement in the film industry started in 1999, working on several International productions for the BBC, Discovery channels. She later joined the Royal Film Commission of Jordan for five years and established The Filmmaker's Support Program. Having built this vast experience in various areas of production enabled Nasser to produce many local films that participated in several prestigious festivals around the world. "The Last Friday" was the first Jordanian film at Berlin international FF 2011, "Waiting for P.O.Box " was in the official competition of the Cannes Short International Film Festival 2012. "My Love Awaits Me by the Sea" at Toronto Film Festival 2013 , and much more that took part in over 30 film festivals, also Nasser line produced many international & Regional films for Hany Abu Assad, Mijke de Jong , Mia Hansen-Love and Xavier Gianno

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Biography from IMDb.

Works as
Producer and writer
Titles
17 on MovieCove · 28 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 65 days to Oct 28Down 30% in 30 days

What are Rula Nasser's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama7 titlesTypical Midcredits score: 55th percentile
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 83rd percentile, at or above their average across these genres
: browse their Crime movies
Biography2 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
31%
Bonds
22%
Survival
19%
Self
12%
Society
6%
Power
5%
Ideas
5%
Family bonds5 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeTrauma5 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 4 · Dark 11

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 14 · Stylized 1 · Heightened 0

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 6 · Intense 9

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 7 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 14 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 9 · Even-paced 6 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 10 · Full focus 5

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 4 · Heavy 11

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 7 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Dread
8
Melancholic
9
Contemplative
4
Hopeful
4
Other
5

How their films linger

Thought-provoking8 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteDevastating3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet8
  • Tragic3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rula Nasser's films?

As of October 24, 2026, 10 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Rula Nasser's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 17 with a MovieCove page.

  • Atonement(2026)

    Producer

    Midcredits score: 71st percentile of all films

  • If You See Something(2024)

    Line Producer

    Midcredits score: 60th percentile of all films (provisional, few ratings)

  • Coyotes (not in the MovieCove catalog yet)(2025)

    Co-Producer

  • Hajjan (not in the MovieCove catalog yet)(2024)

    Co-Producer

  • Inshallah a Boy(2023)

    Producer · Writer

    Midcredits score: 88th percentile of all films

  • Way Home(2024)

    Producer

    Midcredits score: 55th percentile of all films

  • King of the Ring (not in the MovieCove catalog yet)(2023)

    Producer

  • Holy Spider(2022)

    Line Producer

    Midcredits score: 87th percentile of all films

  • Deserted (not in the MovieCove catalog yet)(2022)

    Executive Producer

  • Rebel(2022)

    Producer

    Midcredits score: 91st percentile of all films

  • Amira(2021)

    Producer

    Midcredits score: 13th percentile of all films

  • The Alleys (not in the MovieCove catalog yet)(2021)

    Producer

  • Mitra(2021)

    Producer

    Midcredits score: 67th percentile of all films

  • Scales (not in the MovieCove catalog yet)(2020)

    Co-Producer

  • Caliphate(2020)

    Show Producer

    Midcredits score: 94th percentile of all shows

  • Held for Ransom(2019)

    Line Producer

    Midcredits score: 94th percentile of all films

  • Escape from Raqqa (not in the MovieCove catalog yet)(2019)

    Line Producer

  • Maya(2018)

    Line Producer

    Midcredits score: 43rd percentile of all films

  • The Apparition(2018)

    Producer

    Midcredits score: 54th percentile of all films

  • My Enemy, My Brother(2017)

    Producer

    Midcredits score: 70th percentile of all films (provisional, few ratings)

  • The Idol(2015)

    Line Producer

    Midcredits score: 70th percentile of all films

  • A War(2015)

    Producer

    Midcredits score: 83rd percentile of all films

  • Rattle the Cage(2015)

    Producer

    Midcredits score: 79th percentile of all films

  • The Savior(2014)

    Producer

    Midcredits score: 45th percentile of all films

  • My Love Awaits Me By the Sea (not in the MovieCove catalog yet)(2013)

    Producer

  • Transit Cities (not in the MovieCove catalog yet)(2010)

    Screenplay

  • Fly Little Bird (not in the MovieCove catalog yet)

    Producer

  • The Visitor (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 18 titles, 16 of them dated from 2010 to 2025.

Biggest box office

The Apparition (2018)

$3.6M worldwide

Highest rated

Held for Ransom (2019)

Midcredits 94th

Most popular right now

Caliphate (2020)

By role

only this rolewith another role
Writing2 of 18: 1 only writing, 1 with another roleProducing17 of 18: 16 only producing, 1 with another role · typical Midcredits score70th

By decade

2010s6 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Rula Nasser's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 16; across their 15 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 15

Approval · how many liked their films

62ndpercentile
Typical film, the median of 15

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 15

Midcredits score across 17 titles, by percentile

  • 75th and up7
  • 50th to 74th7
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

8 of their 17 titles are Crowd Pleasers.

  • Universally Loved3
  • Universally Panned1
  • Divisive1
  • Cult Classic3
  • Crowd Pleaser8
  • Mixed1

Most divisive · producer

If You See Something (2024)

93rd percentile spread · 39% rated it 4 or lower

Most loved · producer

Held for Ransom (2019)

Midcredits 94th · 86% liked

Reviewers score the dialogue 59/100 and the plot and story 57/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rula Nasser work with?

People who share at least 2 of Rula Nasser's MovieCove titles, grouped by what they did on them; Majd Eid shares the most, 4.

Actors

Composers and editors

Producers