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MovieCove
Works as
Editor, producer, director and cinematographer
Titles
7 on MovieCove

What are Charles Jones' films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
24%
Self
23%
Survival
21%
Bonds
14%
Power
9%
Society
9%

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 2 · Dark 3

Grounded 7 · Stylized 0 · Heightened 0

A split, not a type: Gentle 2 · Charged 2 · Intense 3

Steady 2 · Shifting 4 · Whiplash 1

Straight-faced 4 · Some laughs 3 · Funny 0

Slow burn 2 · Even-paced 5 · Relentless 0

A split, not a type: Casual 3 · Engaged 4 · Full focus 0

Resolved 4 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Hopeful
3
Dread
3
Melancholic
3
Joyful
2
Other
3

How their films end · 2 with a twist

  • Happy3
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles Jones' films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Charles Jones' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • Midcredits score: 54th percentile of all films
  • The Deadly Getaway(2022)

    Director

    Midcredits score: 40th percentile of all films
  • Trophy Wife(2022)

    Editor · Producer

    Midcredits score: 60th percentile of all films
  • A Rich Christmas(2021)

    Editor · Producer

    Midcredits score: 32nd percentile of all films
  • Real Talk(2021)

    Editor

    Midcredits score: 52nd percentile of all films (provisional, few ratings)
  • Holiday Heartbreak(2020)

    Director

    Midcredits score: 28th percentile of all films
  • All In(2019)

    Cinematographer · Editor

    Midcredits score: 62nd percentile of all films

Career shape

Across their 7 MovieCove titles from 2019 to 2023.

By role

only this rolewith another role
Directing2 of 7: 2 only directing, 0 with another roleProducing3 of 7: 0 only producing, 3 with another roleCinematography1 of 7: 0 only cinematography, 1 with another roleEditing5 of 7: 1 only editing, 4 with another role · typical Midcredits score54th

7 titles, 4 with more than one role — editing and producing overlap on 3 of them.

By decade

2010s1 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Charles Jones' films land?

Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 7

Approval · how many liked their films

39thpercentile
Typical film, the median of 7

Reach · how many have seen their films

20thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 50th to 74th4
  • 25th to 49th3

Reviewers score the pacing 37/100 in their films, across 3 reviewed titles; fans 55, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Charles Jones work with?

People who share at least 2 of Charles Jones' MovieCove titles, grouped by what they did on them; Tressa Azarel Smallwood shares the most, 6.

Writers

Composers and editors

Producers