Adam Orton

What are Adam Orton's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Adam Orton's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

• Paramount+1 title, browse their movies on this service
  • The Killing of Kenneth Chamberlain (2019) · producer
• Prime Video1 title, browse their movies on this service
  • Echoes of Tomorrow (2026) · director
• The Roku Channel1 title, browse their movies on this service
  • Amelia 2.0 (2017) · director · free
• Tubi1 title, browse their movies on this service
  • Amelia 2.0 (2017) · director · free

Subscription and free streaming for Adam Orton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Echoes of Tomorrow(2026)

  Director

  Midcredits score: 11th percentile of all films (provisional, few ratings)~11^th
• 

  The Killing of Kenneth Chamberlain(2019)

  Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Amelia 2.0(2017)

  Director

  Midcredits score: 56th percentile of all films56^th

Career shape

Across a limited sample of 3 MovieCove titles from 2017 to 2026.

Biggest box office

Amelia 2.0 (2017)

$10K worldwide

Highest rated

The Killing of Kenneth Chamberlain (2019)

Midcredits 83^rd

How do Adam Orton's films land?

Their typical MovieCove film has a Midcredits score in the 56^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 32^nd percentile for acclaim.

Shape of the crowd

3 of their 3 titles are Mixed.

3

• Mixed3

Most divisive · director

Echoes of Tomorrow (2026)

84^th percentile spread · 65% rated it 4 or lower

Most loved · producer

The Killing of Kenneth Chamberlain (2019)

Midcredits 83^rd · 70% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Adam Orton work with?

People who share at least 2 of Adam Orton's MovieCove titles, grouped by what they did on them; Michael A. Levine shares the most, 2.