Fumitsugu Ikeda
- Producer
- 6 on MovieCove · 19 credits in all
What are Fumitsugu Ikeda's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 1 · Serious 2 · Dark 2
Grounded 3 · Stylized 2 · Heightened 0
Gentle 1 · Charged 3 · Intense 1
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 4 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 1
Resolved 2 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet1
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Fumitsugu Ikeda's films?
As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Fumitsugu Ikeda's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 6 with a MovieCove page.
Baban Baban Ban Vampire(2025)
Midcredits score: 52nd percentile of all films
Kiba: The Fangs of Fiction (not in the MovieCove catalog yet)(2021)
Farewell: Comedy of Life Begins with a Lie (not in the MovieCove catalog yet)(2019)
No Longer Human(2019)
Midcredits score: 37th percentile of all films
Laughing Under the Clouds (not in the MovieCove catalog yet)(2018)
The Magnificent Nine(2016)
Midcredits score: 58th percentile of all films
The Inerasable(2015)
Midcredits score: 46th percentile of all films
Something Like, Something Like It (not in the MovieCove catalog yet)(2016)
Solomon's Perjury 2: Judgment (not in the MovieCove catalog yet)(2015)
Solomon's Perjury 1: Suspicion (not in the MovieCove catalog yet)(2015)
Pale Moon(2014)
Midcredits score: 68th percentile of all films
Say 'I Love You' (not in the MovieCove catalog yet)(2014)
A Tale of Samurai Cooking (not in the MovieCove catalog yet)(2013)
The Human Trust (not in the MovieCove catalog yet)(2013)
The Great Passage (not in the MovieCove catalog yet)(2013)
Go, Masao!(2012)
Midcredits score: 56th percentile of all films (provisional, few ratings)
Second Virginity (not in the MovieCove catalog yet)(2011)
Rebirth (not in the MovieCove catalog yet)(2011)
The Cherry Orchard: Blossoming (not in the MovieCove catalog yet)(2008)
Career shape
A full career of 18 titles from 2008 to 2025.
Biggest box office
No Longer Human (2019)
Highest rated
Pale Moon (2014)
Most popular right now
No Longer Human (2019)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Fumitsugu Ikeda's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 50th to 74th4
- 25th to 49th2
Shape of the crowd
4 of their 6 titles are Mixed.
- Cult Classic1
- Crowd Pleaser1
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Fumitsugu Ikeda work with?
People who share at least 2 of Fumitsugu Ikeda's MovieCove titles, grouped by what they did on them; Yoshihiro Nakamura shares the most, 2.
Directors
- Yoshihiro NakamuraShared titles: The Magnificent Nine (2016), The Inerasable (2015)See all 2 shared titles with Yoshihiro Nakamura
Writers
- Kaeko HayafuneShared titles: No Longer Human (2019), Pale Moon (2014)See all 2 shared titles with Kaeko Hayafune
- Ken'ichi SuzukiShared titles: The Magnificent Nine (2016), The Inerasable (2015)See all 2 shared titles with Ken'ichi Suzuki
Actors
- Rie MiyazawaShared titles: No Longer Human (2019), Pale Moon (2014)See all 2 shared titles with Rie Miyazawa
- Ryō NaritaShared titles: No Longer Human (2019), The Inerasable (2015)See all 2 shared titles with Ryō Narita
- Yûdai ChibaShared titles: No Longer Human (2019), The Magnificent Nine (2016)See all 2 shared titles with Yûdai Chiba
- Yûko TakeuchiShared titles: The Magnificent Nine (2016), The Inerasable (2015)See all 2 shared titles with Yûko Takeuchi
Composers and cinematographers
- Gorô YasukawaShared titles: The Magnificent Nine (2016), The Inerasable (2015)See all 2 shared titles with Gorô Yasukawa
- Yukihiro OkimuraShared titles: The Magnificent Nine (2016), The Inerasable (2015)See all 2 shared titles with Yukihiro Okimura