Mario Kenyon
- Producer
- 3 on MovieCove
What are Mario Kenyon's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 2 · Stylized 1 · Heightened 0
A split, not a type: Gentle 1 · Charged 0 · Intense 2
Steady 1 · Shifting 1 · Whiplash 1
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 1 · Full focus 1
Easy watch 0 · Affecting 0 · Heavy 3
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mario Kenyon's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Mario Kenyon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
The Gasoline Thieves(2019)
Midcredits score: 75th percentile of all films
Are We Not Cats(2016)
Midcredits score: 38th percentile of all films
Scherzo Diabolico(2015)
Midcredits score: 29th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2015 to 2019.
Biggest box office
Are We Not Cats (2016)
Highest rated
Are We Not Cats (2016)
Most popular right now
Scherzo Diabolico (2015)
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Mario Kenyon's films land?
Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up1
- 25th to 49th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mario Kenyon work with?
People who share at least 2 of Mario Kenyon's MovieCove titles, grouped by what they did on them; Joshua Sobel shares the most, 3.
Producers
- Joshua SobelShared titles: The Gasoline Thieves (2019), Are We Not Cats (2016), Scherzo Diabolico (2015)See all 3 shared titles with Joshua Sobel
- Vince CuponeShared titles: The Gasoline Thieves (2019), Are We Not Cats (2016), Scherzo Diabolico (2015)See all 3 shared titles with Vince Cupone
- Pablo Guisa KoestingerShared titles: The Gasoline Thieves (2019), Scherzo Diabolico (2015)See all 2 shared titles with Pablo Guisa Koestinger
- Tom DaviaShared titles: The Gasoline Thieves (2019), Are We Not Cats (2016)See all 2 shared titles with Tom Davia
