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What are Catherine Joy's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Light 10 · Serious 3 · Dark 1

Grounded 10 · Stylized 2 · Heightened 2

A split, not a type: Gentle 9 · Charged 3 · Intense 2

Steady 9 · Shifting 3 · Whiplash 2

Straight-faced 3 · Some laughs 9 · Funny 2

A split, not a type: Slow burn 8 · Even-paced 5 · Relentless 1

Casual 9 · Engaged 4 · Full focus 1

Resolved 9 · Open-ended 5 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
6
Romantic
6
Hopeful
7
Tense
4
Dread
3
Other
14

How their films end · 4 with a twist

  • Happy10
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Catherine Joy's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Prime Video (8).

Subscription and free streaming for Catherine Joy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

  • Glass Casa(2024)

    Composer

    Midcredits score: 82nd percentile of all films (provisional, few ratings)
  • Luckless in Love(2023)

    Composer

    Midcredits score: 46th percentile of all films
  • Secrets on Greek Row(2023)

    Composer

    Midcredits score: 16th percentile of all films
  • Steal Your Heart(2023)

    Composer

    Midcredits score: 25th percentile of all films
  • The Love Gala(2023)

    Composer

    Midcredits score: 21st percentile of all films
  • The Royal Bake Off(2023)

    Composer

    Midcredits score: 20th percentile of all films
  • The Wedding Wish(2023)

    Composer

    Midcredits score: 19th percentile of all films
  • Give Me an A(2022)

    Composer

    Midcredits score: 21st percentile of all films
  • Our Take on Love(2022)

    Composer

    Midcredits score: 17th percentile of all films
  • Romantic Rewrite(2022)

    Composer

    Midcredits score: 44th percentile of all films
  • Midcredits score: 63rd percentile of all films
  • Naughty Books(2020)

    Composer

    Midcredits score: 33rd percentile of all films
  • The Parish(2019)

    Composer

    Midcredits score: 44th percentile of all films
  • Gold Balls(2016)

    Composer

    Midcredits score: 98th percentile of all films (provisional, few ratings)

Career shape

Across their 14 MovieCove titles from 2016 to 2024.

By role

only this rolewith another role
Music14 of 14: 14 only music, 0 with another role · typical Midcredits score29th

By decade

2010s2 · crew2020s12 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Catherine Joy's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 14

Approval · how many liked their films

28thpercentile
Typical film, the median of 14

Reach · how many have seen their films

41stpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th5
  • Below 25th6

Reviewers score the sound and music 37/100 in their films, across 6 reviewed titles; fans 55, detractors 16. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Catherine Joy work with?

People who share at least 2 of Catherine Joy's MovieCove titles, grouped by what they did on them; Damián Romay shares the most, 7.

Directors

Actors

Cinematographers and editors

Producers