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What are Julie B. May's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 5 · Dark 5

Grounded 4 · Stylized 6 · Heightened 0

Gentle 1 · Charged 2 · Intense 7

Steady 2 · Shifting 6 · Whiplash 2

Straight-faced 7 · Some laughs 3 · Funny 0

Slow burn 2 · Even-paced 6 · Relentless 2

Casual 3 · Engaged 6 · Full focus 1

A split, not a type: Resolved 5 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
6
Thrilling
3
Contemplative
2
Melancholic
2
Other
6

How their films end · 3 with a twist

  • Happy1
  • Bittersweet6
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Julie B. May's films?

As of October 24, 2026, all 10 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Julie B. May's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Division 19(2017)

    Producer

    Midcredits score: 46th percentile of all films
  • Before I Wake(2016)

    Producer

    Midcredits score: 51st percentile of all films
  • The Hollow Point(2016)

    Producer

    Midcredits score: 21st percentile of all films
  • The Lost City of Z(2016)

    Producer

    Midcredits score: 67th percentile of all films
  • Mojave(2015)

    Producer

    Midcredits score: 15th percentile of all films
  • In the Blood(2014)

    Producer

    Midcredits score: 29th percentile of all films
  • Midcredits score: 26th percentile of all films
  • Oculus(2013)

    Producer

    Midcredits score: 64th percentile of all films
  • Scorned(2013)

    Producer

    Midcredits score: 11th percentile of all films
  • Stuck in Love.(2012)

    Producer

    Midcredits score: 86th percentile of all films

Career shape

Across their 10 MovieCove titles from 2012 to 2017.

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score38th

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Julie B. May's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 10

Approval · how many liked their films

39thpercentile
Typical film, the median of 10

Reach · how many have seen their films

91stpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Julie B. May's work okay for kids?

Across up to 9 MovieCove titles with content scores, violence & gore and sex & nudity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles40–88 · median 64 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity9 titles8–47 · median 43 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles20–80 · median 42 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 26 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 62 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Julie B. May work with?

People who share at least 2 of Julie B. May's MovieCove titles, grouped by what they did on them; Glenn Murray shares the most, 10.

Directors

Writers

Composers and cinematographers

Producers