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Yunus Roy Imer

Yunus Roy Imer

Cinematographer · Zürich, Zürich, Switzerland

Yunus Roy Imer is a London and Berlin based, internationally working and award-winning cinematographer. His debut film "SYSTEM CRASHER" (directed by Nora Fingscheidt) won a Silver Bear at the Berlin International Film Festival and was selected as a German Oscar nominee, won eight Lolas and screened at the Cameraimage Festival in the Cinematographer's Debut Competition. For the documentary "SPACE DOGS" (directed by Elsa Kremser & Levin Peter), which premiered in Locarno and toured festivals worldwide, Roy received the Diagonale's "Best Cinematography Award for Documentaries". Most recently, Roy was nominated for the Swiss Film Award for Best Cinematography in 2023 for his camera work for "99 MOONS" (directed by Jan Gassmann). The film had its world premiere in Cannes in the L'ACID section. He's other works include "BLACK NIGHT" (director: Özcan Alper), "THE POET'S WIFE" (director: Helke Misselwitz) and "WITHOUT THIS WORLD" (director: Nora Fingscheidt), for which Roy was nominated for the German Camera Award in 2018. Roy was responsible for the camera for Nora Fingscheidt's new feature film "THE OUTRUN". The film, which starred Saoirse Ronan, is based on the successful memoir by Amy Liptrot. Filming took place in England, Scotland and the Orkney Islands in 2022. The film is expected for 2024. In 2023, he shot the Swiss-Iraqi co-production "AL BASEER" (director: Ali Al-Fatlawi) in the southern marshes of Iraq. The film is currently in post-production. Yunus Roy Imer is an alumnus of Berlinale Talents and Sarajevo Talents and speaks fluent German, English, Turkish and French.

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Biography from IMDb.

From
Zürich, Zürich, Switzerland
Works as
Cinematographer
Titles
7 on MovieCove · 14 credits in all
TMDB popularity, last 156 days to Oct 27Down 14% in 30 days

What are Yunus Roy Imer's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 4

Grounded 5 · Stylized 1 · Heightened 0

Gentle 0 · Charged 4 · Intense 2

A split, not a type: Steady 3 · Shifting 2 · Whiplash 1

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 5 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 4 · Full focus 1

Easy watch 0 · Affecting 1 · Heavy 5

Resolved 0 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
4
Contemplative
3
Hopeful
2
Bittersweet
1

How their films end

  • Bittersweet2
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yunus Roy Imer's films?

As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Yunus Roy Imer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 7 with a MovieCove page.

  • A Happy Family (not in the MovieCove catalog yet)(2026)

    Cinematographer

  • Dreaming Dogs(2024)

    Cinematographer

    Midcredits score: 57th percentile of all films (provisional, few ratings)
  • Die schönste Bescherung (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • The Outrun(2024)

    Cinematographer

    Midcredits score: 79th percentile of all films
  • Black Night(2022)

    Cinematographer

    Midcredits score: 74th percentile of all films
  • 99 Moons(2022)

    Cinematographer

    Midcredits score: 44th percentile of all films
  • System Crasher(2019)

    Cinematographer

    Midcredits score: 97th percentile of all films
  • Space Dogs(2019)

    Cinematographer

    Midcredits score: 51st percentile of all films
  • Are You Listening Mother? (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • Without This World (not in the MovieCove catalog yet)(2017)

    Cinematographer

  • Beyond the Snowstorm (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • Familie sein (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • Ein Versprechen (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • Tatort(1970)

    Show 1 episode · Cinematographer

    Midcredits score: 43rd percentile of all shows

Career shape

A full career of 14 titles from 1970 to 2026.

By role

only this rolewith another role
Cinematography14 of 14: 14 only cinematography, 0 with another role · typical Midcredits score57th

By decade

1970s1 · crew2010s7 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Yunus Roy Imer's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 6

Approval · how many liked their films

73rdpercentile
Typical film, the median of 6

Reach · how many have seen their films

81stpercentile
Typical film, the median of 6

Midcredits score across 7 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th2

Reviewers score the cinematography 77/100 in their films, across 3 reviewed titles; fans 82, detractors 85. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Yunus Roy Imer's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 51 · moderateMedian of all films: 44
Sex & Nudity3 titlesmedian 38 · moderateMedian of all films: 32
Profanity3 titlesmedian 61 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 76 · intenseMedian of all films: 33
Frightening / Intense3 titlesmedian 67 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Yunus Roy Imer work with?

People who share at least 2 of Yunus Roy Imer's MovieCove titles, grouped by what they did on them; John Gürtler shares the most, 3.

Directors

Actors

Composers and editors

Producers